Albertina, Vienna
History
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The Albertina was erected on one of the last remaining sections of the fortifications of Vienna, the Augustinian Bastion. Originally, the Hofbauamt (Court Construction Office), which had been built in the second half of the 17th century, stood in that location. In 1744 it was refurbished by the director of the Hofbauamt, Emanuel Teles Count Silva-Tarouca, to become his palace; it was therefore also known as Palais Taroucca. The building was later taken over by Albert Casimir, Duke of Teschen, who used it as his residence. Albert later brought his graphics collection there from Brussels, where he had acted as the governor of the Habsburg Netherlands. He had the building extended by Louis Montoyer. Since then, the palace has immediately bordered the Hofburg. The collection was expanded by Albert's successors. When his grandson Archduke Albrecht, Duke of Teschen lived there until his death in 1895 it was called the Palais Erzherzog Albrecht.
The collection was created by Duke Albert with the Genoese count Giacomo Durazzo, the Austrian ambassador in Venice. In 1776 the count presented nearly 1,000 pieces of art to the duke and his wife Maria Christina (Maria Theresa's daughter). Count Durazzo, who was the brother of Marcello Durazzo, the Doge of Genoa – "wanted to create a collection for posterity that served higher purposes than all others: education and the power of morality should distinguish his collection...." In the 1820s Archduke Charles, Duke Albert and Maria Christina's foster son, initiated further modifications to the building by Joseph Kornhäusel, which affected mostly its interior decoration. After Archduke Charles, his son Archduke Albert then Albrecht's nephew the popular Archduke Friedrich, Duke of Teschen lived in the building.
In early 1919, the new socialist government of Austria confiscated, without compensation, both the building and the collection belonging to the Archduke Friedrich and evicted him. In 1920 the collection of prints and drawings was united with the collection of the former Imperial court library. In 1921 the building was renamed The Albertina.
In March 1945, the Albertina was heavily damaged by USAAF bomb attacks. The building was rebuilt in the years after the war and was completely refurbished and modernized from 1998 to 2003. Modifications of the exterior entrance sequence, including a distinctive roof by Hans Hollein were completed in 2008, when the graphics collection finally reopened. In 2018, the Albertina acquired the Essl Collection of 1,323 contemporary artworks, including pieces by Alex Katz, Cindy Sherman, Georg Baselitz, Hermann Nitsch, and Maria Lassnig.
On 27 May 2020, "Albertina modern" opened as a new museum for modern art. The collection of Albertina modern encompasses over 60,000 works by 5,000 artists.
Gallery
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Study for the Last Supper by Leonardo da Vinci, c. 1495
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Young Hare by Albrecht Dürer (1502)
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The Girl with the Marmot by Jean-Honoré Fragonard, undated
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Archduke Charles, Duke of Teschen by Georg Decker, c. 1847
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The White Horse "Gazelle" by Henri de Toulouse-Lautrec, 1881
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The Water Lily Pond, by Claude Monet, c. 1917–1919
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House Among the Roses by Claude Monet, c. 1918
References
- ^ The Art Newspaper, March 30, 2021
- ^ "Acquisitions of the month: October 2018". Apollo Magazine.
- ^ "Albertina modern | Vienna's new museum for modern art". www.albertina.at. Retrieved 5 December 2019.
External links
- Official website
- Some pictures of the repository
- Audioguide of the introduction
- "Albertina". artsandculture.google.com.
- Media related to Albertina, Vienna at Wikimedia Commons
Further reading
- Schröder, Klaus Albrecht, ed. (2018). Monet to Picasso. Vienna: Albertina. ISBN 978-3-95045-219-8.