Through the years, tenants included: First Free Congregational Church (c. 1836); Grace Church (1836); artists Eastman Johnson, J.C. King, N. Southworth, T.T. Spear, William S. Tiffany (c.1847); Oliver Stearns, retailer of artists' supplies (1849–1850); artists J.A. Codman, A. Ransom, and R.M. Staigg (c.1852).
In 1888, the hall was acquired by retailer William H. Zinn and incorporated into his "Connected Stores" occupying the block bounded by West and Washington Streets and Temple Place.
1834, November - Boston Mercantile Association Lectures
1836 - Herr Schmidt "electrical, mechanical and physical experiments"
1837, March - Dr. Graham delivered lectures "on marriage and courtship to audiences of women" "Great excitement at Amory Hall in consequence of an intended lecture to ladies, exclusively, on physical education. Many women were present, but so great was the tumult made by persons adverse to Graham and his lecture, that his object was defeated."
1838
Physiological Society weekly lectures "on various subjects connected with the human constitution, health, the structure of the body, &c. ... Object, improvement in physiological knowledge."
Aug. - George Catlin's Indian gallery "...will endeavour to entertain and instruct the citizens of Boston and its vicinity, for a short time with an exhibition of his paintings, costumes, &c."
1839 - Lewis, Bartholomew & Co.'s "splendid dioramas ... the grand historical moving diorama of the Battle of Bunker Hill!! and conflagration of Charlestown
George Brewer's panorama of the wonders and natural curiosities of the American continent. Fairmout Water works, & adjacent scenery ... Mammoth Cave of Kentucky."
Walter McPherson Bayne's "gigantic panoramic picture of a voyage to Europe! Comprises views of Boston, its harbor, the Atlantic, the River Mersey, Liverpool, London from the Thames, and both sides of the Rhine, painted from original sketches taken by the artist himself, constituting by far the largest panorama ever presented to the public, and which has been in preparation upwards of three years."
1848 - Hine's "journey from Paris to Rome! over the Alps."
William Burr's "seven mile mirror! the mammoth moving painting of the Great Lakes and rivers"
Stockwell's colossal panorama of the upper and lower Mississippi rivers
1850 - Brunetti's model of ancient Jerusalem, and Mr. Malone Raymond "with a descriptive lecture"
1851
January - Nova Scotia giant boy
April - Miss Reynaldson. "Scotch melodies by this distinguished vocalist."
1852
Exhibition of Edward A. Brackett's "marble group of the shipwrecked mother and child"
May - "Immense attraction at Amory Hall. This fashionable place of resort is thronged every afternoon and evening, with crowds of those who wish to see the great panorama of California. Mr. Edward Wilson, the learned author of 'Sketches in the Mines' delivers an explanatory lecture."
"The hall is now leased to the Handel and Haydn Society for every Sunday evening for 5 years; to the Musical Fund Society and to the Germanians for their concerts; also to the Mercantile Library Association for 30 evenings, and to the religious society of the Rev. Theodore Parker for the Sunday forenoons."
Linck C. Johnson, "Reforming the Reformers: Emerson, Thoreau, and the Sunday Lectures at Amory Hall, Boston," ESQ: A Journal of the American Renaissance, 37 (4th Quarter 1991): 235-89.