Black Mill, Whitstable
History
Black Mill was built in 1815. A mill that previously stood on the site was marked on Bowen's map of 1736. The mill had been painted white when built, but was tarred in 1885, thus gaining its name of Black Mill. Trinity House had to be notified, as the mill was a navigational landmark for sailors. The mill last worked circa 1905 and in 1928 was converted into a studio by the artist Laurence Irving, the grandson of Sir Henry Irving. The mill was later converted into a motel. The converted tower still contains the major milling machinery, and externally bears stocks and a dummy fantail.
Description
Black mill is a four-storey smock mill on a single-storey brick base. There was a stage at first-floor level. It had four patent sails carried on a cast-iron windshaft. The Brake wheel survives. This drove a cast-iron Wallower mounted on a wooden Upright Shaft. The Great Spur Wheel also survives. The mill drove three pairs of millstones overdrift. It was winded by a fantail.
Millers
- Lawes & Carr 1839 - 1845
- William Carr 1845
- Jonathan Rye
- Henry Somerford 1860 - 1866
- James Callingham 1866 -
- Callingham Bros. - 1899
- George & William Dawking 1899 - 1905
References for above:-
Gallery
-
1908 -
2006
References
- ^ Coles Finch, William (1933). Watermills and Windmills. London: C W Daniel Company. p. 301.
- ^ West, Jenny (1973). The Windmills of Kent. London: Charles Skilton Ltd. pp. 77–80. ISBN 0284-98534-1.
- ^ "Directory of Kent Mill People". The Mills Archive Trust. Archived from the original on 16 April 2009. Retrieved 19 April 2008.
4. The “Old Black Windmill in the seaside town of Whitstable” is mentioned in Michael Powell’s autobiography (p.214 faber&faber paperback, pub 2000), A Life in Movies, who refers to working with Laurence Irving (art director) on the UK production of 77 Park Lane (1931)
Further reading
- Irving, Laurence (1971). The Precarious Crust. London: Chatto and Windus. ISBN 0-7011-1701-X.
External links
- Windmill World page on the mill.