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  • 21 Aug, 2019

  • By, Wikipedia

Christine Abrahams Gallery
Christine Abrahams Gallery, first named Axiom, was a Melbourne gallery showing contemporary Australian art between 1980 and 2008.

Foundation

Christine Abrahams (5 March 1939 – 15 September 1994) graduated with a Bachelor of Arts from Melbourne University in 1961 majoring in Fine Art. She was a guide at the National Gallery of Victoria for several years, then assisted Patrick McCaughey with research at 'Monash University, and was a gallery director and major supporter of contemporary Australian art in Melbourne from the 1970s, after her marriage to husband Daryl (born 1935), with whom she had three sons Guy, Damian and Ari.

Artist Lenton Parr said of Christine that she valued art "as a gift to the spirit and a source of pleasure and enlightenment," while then director of the National Gallery of Australia, Betty Churcher valued her generosity and enthusiasm, saying she "provided Melbourne with a space and an intellectual climate for some of the most interesting contemporary art from both Australia and overseas."

Abrahams was Manager of Powell Street Gallery between 1976 and 1980 (the lessees were Melbourne solicitor Harry Curtis and a Caulfield doctor, David Rosenthal).

Axiom

Until 1982, Abrahams was co-director of Axiom Gallery, established in March 1980 at the address of the future Christine Abrahams Gallery, 27 Gipps Street Richmond, an inner, once-industrial, suburb of Melbourne. In the same precinct an increasing number of other commercial galleries, including the long-running Pinacotheca, Niagara Galleries, Stuart Gerstman, and Church Street Centre for Photography appeared.

Of Axiom, critic and artist Robert Rooney remarked;

"Since opening in 1980, Axiom Gallery, Richmond, has continued to support the cause of modernist abstraction, the house style it inherited—along with artists such as Syd Ball, Fred Cress, Vic Mazjner—and Englishman John Walker, from the old Powell Street Gallery which was run by Axiom's three directors in the late 1970s."

Axiom's opening show consisted of large abstract paintings by Sydney Ball, Fred Cress, John Walker and John Firth-Smith, selling at between $700 and $9500, and was followed by a solo of works by photographer David Moore. By 1982, when the gallery was renamed, Abrahams in an interview proudly detailed its record in supporting women artists;

"Eight out of 16 artists we've shown this year have been women. We don't choose them because they're women but because the work is really exciting."

Axiom exhibitions;

In summing up the year 1980, critic Brigid Cole-Adams described Axiom as a "good more conventional gallery with interesting contemporary work including both abstract and new realist styles."

Renamed Christine Abrahams Gallery

In December 1982 Axiom gallery closed, and with Abrahams as director, was eponymously renamed the 'Christine Abrahams Gallery', reopening on 12 February 1983. It showed a broad spectrum of visual arts by contemporary, including photography, by architects, and craftspeople and indigenous artists, including jewellers, ceramicists and furniture makers. Stuart Gerstman Gallery opened next door at number 29 in April 1983. In 1987 Christine's son Guy Abrahams joined her as co-director of the gallery.

The building had been converted in 1980 from a clothing factory by the architect of Abrahams' own 1982 Brighton residence, Daryl Jackson, who designed Abrahams own house in Beaumaris, preserved the industrial aesthetic of exposed trusses, bare concrete floors and steel roller-door. Jackson himself exhibited at the gallery in April 1984, showing drawings and models for a 'more humane' neo-industrial style. Critic Robert Rooney described the renovation as "spacious and well-planned, and an ideal setting for...large paintings." The configuration of the gallery with a smaller space to the left of the main gallery allowed for shows of smaller 'works on paper' (usually drawings, photographs, or prints) simultaneously with shows usually of larger paintings or sculpture. The gallery was recommended in 1994 as a favourite by Susan Fereday, then director of the Centre for Contemporary Photography and Merryn Gates director of the Ian Potter Museum of Art, University of Melbourne.

Exhibitions under the name 'Christine Abrahams Gallery'

Closure

After Christine's premature death at age 55 from cancer on 15 September 1994, the gallery was operated by her son Guy Abrahams, who had been co-director since 1987.

The gallery was closed after 28 years in November 2008. The Gallery archive was donated to the State Library of Victoria.

Influence

Christine initiated the influential Australian Contemporary Art Fair (now Melbourne Art Fair) and was a member of its organising committee in 1988, 1990 and 1992. She was on the board of the Fifth Australian Sculpture Triennial (1993) and was a member of the Visual Art Export Group of the Australia Council and the Craft Council of Victoria.