File:Aert De Gelder 009.jpg
26 January 1890: sale of the collection of Mme L[egrand-Desfriches] at an unknown auction house, Le Vésinet
1890: acquired by Stéphane Bourgeois (art dealer), Paris/New York City
after 1904: acquired by Charles Tyson Yerkes (1837-1905), Chicago
8 April 1910: sale of the collection of Ch.T. Yerkes at American Art Galleries, New York City, lot no. 195
1916: purchased by the Museum Boijmans Van Beuningen, Rotterdam
Ausstellung alter Meister aus Leipziger Privatbesitz, Leipziger Kunstverein, Leipzig, 1914, cat. no. 41.
Exposition hollandaise: tableaux, aquarelles et dessins anciens et modernes, Musée du Jeu de Paume, Paris, April 1921–May 1921, cat. no. 10.
Bijbelsche Kunst, Rijksmuseum, Amsterdam, 8 July 1939–8 October 1939, Cat.no. 9b.
Rembrandt and his pupils, Montreal Museum of Fine Arts, Montreal, 9 January 1969–23 February 1969, cat. no. 69.
Een gloeiend palet. Schilderijen van Rembrandt en zijn school, 6 January 1988–6 March 1988, Museum Boijmans Van Beuningen, Rotterdam, Cat.no. 9.
Het Oude Testament in de schilderkunst van de Gouden Eeuw, Joods Historisch Museum, Amsterdam, 1991, Cat.no. 5.
Rembrandt's Holland, Israel Museum, Jerusalem, 1993, Cat.no. 91.
Im Lichte Rembrandts, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1994, Cat.no. 8.
top left:
Fake signature removed during 1916 restoration
Museum Boijmans Van Beuningen collection online, as Abraham and the angels, 1680-1685.
 | This file has an extracted image: Abraham in Abraham and the Angels by Aert de Gelder.jpg. | 
|
Licensing
|
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. | ||||
