File:Brieflezende Vrouw Rijksmuseum SK-C-251.jpeg
2011-2012, Vermeer and Dutch Genre Painting in the Golden Age - III, Tokyo
2011-2011, Vermeer and Dutch Genre Painting in the Golden Age - I, Kyoto
2004-2005, Van der Hoop - C, Amsterdam
2003-2003, Love Letters: A Theme in Dutch 17th Century Genre Painting, Dublin
1996-1996, Johannes Vermeer - II, Den Haag
1995-1996, Johannes Vermeer - I, Washington D.C.
1946-1946, De Hollandsche schilderkunst van Jeroen Bosch tot Rembrandt, Brussel
1935-1935, Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 juli 1885, Amsterdam
1935-1935, Vermeer : oorsprong en invloed : Fabritius, De Hooch, De Witte, Rotterdam
1929-1929, Dutch Art 1450-1900, Londen
References
Liza Burmeister Kaaring, 'Tracking the Language of Stillness', SMK Artjournal : Statens Museum for Kunst (2007), p. 108-115, p. 112, afb. 6.Karin Leonhard, 'Vermeer's Pregnant Women : On Human Generation an Pictorial Representation', Art History 25 (2002) nr. 3, p. 293-318.M.A. Castor, 'Augenblick und Zeitfluss : Bemerkungen zu einigen Konstanten in der Malerei Jan Vermeers', Pantheon 54 (1996), p. 91.R. Roos, 'Johannes Vermeer', Vernisage (1996) mrt., p. 12.K. Zandvliet, 'In plaets van schilderijen', Vitrine (1996) mrt./apr., p. 16-17.'Vermeer', bijlage Vrij Nederland, 24 februari 1996, nr. 8.James A. Welu, 'Vermeer : his cartographic sources', The Art Bulletin 57 (1975), p. 532-533, 541, afb. 3.K. Clark, Connaissance des Arts (1974), p. 78.Daniel A. Fink, 'Vermeer's Use of the Camera Obscura : A Comparative Study', The Art Bulletin 53 (1971), p. 493-505.A.B. de Vries, Openbaar Kunstbezit 9 (1965), nr. 39.H. van Gelder, 'Haagsche Kunstverzamelingen voor 1900', Die Haghe (1942), p. 26, afb. 9.W. Thoré-Bürger, Gazette des Beaux-Arts (1866)
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