File:Country-Post-Ariel-Rios.jpg
Mural information from the General Services Administration:
- During the New Deal era, rural life was often idealized in art and the popular imagination, while in reality farmers struggled with chronically low crop prices, severe draught, and dust storms. Paintings like Grant Wood's American Gothic (1930) enshrined the farmer as a symbol of traditional American life, strong and enduring even in the face of adversities. Similarly, Lee's Country Post presents an idealized view of farm life, with a cheerful group of rural Americans enjoying the convenience of mail delivery. A farmer and his son (perhaps the same young man who reads the newspaper in General Store and Post Office) receive a shipment of tools. Behind them, the mail carrier drives an automobile. Rural mail carriers at this time supplied their own transportation, which, until around 1929, was most likely a horse and wagon. The carrier's automobile, along with the train racing toward the right edge of the painting, signify modernity, speed, and technological advancement, in contrast to the church steeple on the left, which symbolizes the endurance of faith and tradition. In the right foreground, a boy riding a horse still hitched for plowing rushes to post a letter, while a woman opens and reads hers, and even the dog and chicken appear interested in the latest news.
This image is available from the United States Library of Congress's Prints and Photographs division
under the digital ID highsm.24944. This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.
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Carol M. Highsmith
(1946–) |
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Alternative names | Birth name: Carol Louise McKinney Carol McKinney Highsmith | ||
Description | American photographer and architectural photographer | ||
Date of birth | 18 May 1946 | ||
Location of birth | Leaksville, North Carolina | ||
Work period | 1981- | ||
Work location | |||
Authority file |
(Reusing this file)
This work is from the Carol M. Highsmith Archive collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work. Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist; see Commons:FOP US#Artworks and sculptures for more information. |