Signature and date bottom right:

Notes The artist himself knew Havana from his earlier sea-going career and may have lived there for a short period. Serres also did a second set of eleven paintings of the capture Havana, which were engraved by P.C. Canot. Nine of these were entirely different views, one a variant version of the British landing and one a close version of the British fleet enterng the harbour. Serres was a well-born Frenchman from Gascony who ran away to sea in merchant service rather than follow family wish that he enter the Church. He probably arrived in England as a naval prisoner of war, took up painting and settled there. His early paintings show the influence of Brooking and Monamy's interpretations of Dutch art but he rapidly achieved recognition for his more documentary visual accounts of sea actions of the Seven Years War, 1756-63, becoming established as England's leading marine painter. His work was even more in demand in the 1770s and 1780s, recording the naval history of the War of American Independence. In 1768 Serres was a founder member of the Royal Academy and at the end of his life its librarian. A well respected and sociable man, he was appointed Marine Painter to George III in 1780. The painting has been signed by the artist and is dated '1770'. References Royal Museums, Greenwich
Sotheby's, London, 06 July 2016, lot 43 Source/Photographer National Maritime Museum BHC0408