File:Mural-Ariel-Rios-Crimi-1.jpg
More information at The Living New Deal
Mural information from the General Services Administration:
Mural information from the General Services Administration:
- Post Office Work Room shows the next stop in the mail's journey, after its departure from the suburban station in the mural on the left, toward its final destination. To produce the mural, Crimi spent time in the New York General Post Office Building, now the James A. Farley Post Office Building, sketching equipment and postal employees. The result is an accurate and thoughtfully composed rendering of the multifarious activities of an urban post office. The design is anchored by the strong horizontal and perpendicular lines of the furniture and machinery, including a mail chute on the left and a conveyor belt in the background. Amid this equipment, men perform their tasks: in the right foreground, three men handle incoming mail bags; behind them, five men sort letters on the conveyor belt, organizing them by size before sending them to the stamping machine; on the far left, a man receives and sorts parcels sliding down the chute; and in the left foreground, two men send out mail via pneumatic tubes. The array of activity highlights the modern advances of the Post Office while capturing the human element of cooperation and attention to detail.
This image is available from the United States Library of Congress's Prints and Photographs division
under the digital ID highsm.24919. This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.
|
Carol M. Highsmith
(1946–) |
|||
---|---|---|---|
Alternative names | Birth name: Carol Louise McKinney Carol McKinney Highsmith | ||
Description | American photographer and architectural photographer | ||
Date of birth | 18 May 1946 | ||
Location of birth | Leaksville, North Carolina | ||
Work period | 1981- | ||
Work location | |||
Authority file |
(Reusing this file)
This work is from the Carol M. Highsmith Archive collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work. Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist; see Commons:FOP US#Artworks and sculptures for more information. |