File:Workshop Of Jheronimus Bosch 001.jpg
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by 1902 : Emile Pacully, Paris
4 May 1903: sale of the collection of Emile Pacully at Galerie Georges Petit, Paris, lot no. 17, result unknown (as Hieronymus Bosch)
Unknown date: acquired by D.E. Evans, London
5 July 1938: sale of the collection of Succession de Monsieur E. Pacully at Hôtel Drouot, Paris, lot no. 12 (as Attributed to Hieronymus Bosch)
1938: acquired by Duveen Brothers (art dealer), London/Paris/New York City
Unknown date: acquired by Fowles, New York City (?)
21 June 1968: anonymous sale at Christie's, London (auction house), lot no. 77, for GBP 6,300
9 July 2003: anonymous sale at Christie's, London (auction house), lot no. 25, for GBP 173,250 (as Workshop of Hieronymus Bosch, The Last Judgment, 84.4 × 95.2 cm (33.2 × 37.4 in))
Exposition des primitifs flamands et d'art ancien, Provinciaal Hof Brugge, Bruges, 15 June 1902–15 September 1902, cat. no. 288, p. 108, as Hieronymus Bosch.
De eeuw der Vlaamse primitieven, Stedelijk Museum voor Schone Kunsten, Groeningemuseum, Bruges, 26 June 1960–11 September 1960, cat. no. 68.
Flanders in the Fifteenth Century, Art and Civilisation, Detroit Institute of Arts, Detroit, October 1960–December 1960.
Signature bottom right:
Anonymous , RKDimages, Art-work number 51943, as Workshop of Hieronymus Bosch, Last Judgment, 1500-1510, 84.4 × 95.2 cm (33.2 × 37.4 in)
Anonymous , Royal Institute for Cultural Heritage Photolibrary, object number 50005298, as Workshop of Hieronymus Bosch, Jugement dernier, from circa 1450 until circa 1516 , 84.4 × 95.2 cm (33.2 × 37.4 in), New York, Fowles[collection].Fourcaud, L. de (January 1912–February 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 171, with image in black and white on p. 171, as Le Jugement dernier, ancienne collection Pacully.
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File:Workshop of Jheronimus Bosch 001 black and white version 01.jpg
Version from L. de Fourcaud (January-June 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 171. |