Hannah Playhouse
Background
Sheilah Winn (born Sheila Maureen Hannah, 1917–2001) announced in 1965 she would make a gift of NZ£150,000 (equivalent to NZ$6,370,000 in 2021). available to build a substantial theatre venue, named in honour of her Hannah family. Her grandfather Robert Hannah founded the R. Hannah & Co. shoemaking and retailing nationwide chain. The design for the Hannah Playhouse took place in the mid 1960s, initially designed by Ron Parker. He was followed by architect James Beard.
In 1968 the Hannah Playhouse Trust was formed to use Winn's gift to build the theatre venue on the site of the building containing Downstage Theatre at the tip of Mount Victoria on the corner of Courtenay Place and Cambridge Terrace. There were many delays in starting the project and galloping inflation meant additional funds had to be raised and, under the circumstances, Sheila Winn announced she was unwilling to provide them. Ultimately the Arts Council managed to cover the gap.
Location and design
The theatre was in the end built in 1973 and replaced the Downstage Theatre company's earlier premises upstairs on the same site. It diagonally faces and is within metres of Wellington's Embassy Theatre made famous by the world premiere of Peter Jackson's The Lord of the Rings: The Return of the King, in Majoribanks Street the Campion family business and over at the end of Roxburgh Street, for many years, "Monde Marie" the bijou coffee house of Mary Seddon, only daughter of Tom Seddon. BATS Theatre is on the opposing side of the main thoroughfare. The Hannah Playhouse building was home to Downstage until 2013 when Downstage closed. The building itself is still often referred to as Downstage Theatre.
Raymond Boyce MBE, London-trained at The Old Vic and brought to New Zealand by Richard Campion was a leading New Zealand theatre set and costume designer. He was on the board of Downstage when the playhouse was built. Boyce became design consultant to the architects influencing the design of the flexible stage area and auditorium. It was designed to be a dinner theatre with a flexible space that could accommodate an audience seated for dining, with options for the staging of the performance that could change for each show.
It currently seats approximately 250 people in the auditorium, when it opened it had a capacity for 170 people at dining tables.41°17′37″S 174°47′01″E / 41.2937°S 174.7836°E
Ownership
The Hannah Playhouse Trust has been obliged to sell almost a half share of the building to the Wellington City Council. The Council has taken full ownership of the nearby Embassy Theatre.
Architectural significance
The design of the Hannah Playhouse is a building which sits in the 1960s 'brutalist' category which refers to the raw, undoctored concrete that features in both the exterior and interior of the building.
The building is part of a small group of unique performance spaces because of its asymmetric design, they include the Heinrich Tessenow's Hellerau Festpielhaus (1911) in Dresden, Germany, Manchester Royal Exchange (1976) in England, and São Paulo's Teatro Oficina (1984) in Brazil.
It featured in an exhibition about modern architecture in 2010 called Long Live the Modern at the Dowse Art Museum in Wellington, New Zealand. In the book that accompanied the exhibition the building is described thus:
"It asserts itself ... by adopting a sculptural, asymmetric roof form that addresses the corner site; and by taking its lead from brutalism's uncompromising, anti-bourgeois spirit, typified by the enthusiasm for unpainted off-form concrete." (Christine McCarthy)
Awards
- 1977 Tourism Design Award for meritorious design
- 1978 NZIA New Zealand Architecture Award
- 2006 NZIA Award for Enduring Architecture
References
- ^ Thomson, Rebecca (7 January 2010). "Downstage – a Wellington fixture". The Dominion Post. Fairfax Media. Retrieved 18 October 2018.
- ^ Taonga, New Zealand Ministry for Culture and Heritage Te Manatu. "Hannahs factories and shops". teara.govt.nz. Retrieved 2021-08-26.
- ^ McCarthy, Christine (2008). "Hannah Playhouse (also known as Downstage)". Long live the modern : New Zealand's new architecture, 1904-1984. Gatley, Julia. Auckland, N.Z.: Auckland University Press. p. 189. ISBN 978-1-86940-415-4. OCLC 228368046.
- ^ 1850-2017: "Consumer Price Index, Annual Growth". Data1850. New Zealand Institute of Economic Research. 2018-2021: "Consumers Price Index". Infoshare. StatsNZ.
- ^ "The Hannah's History Hannah Playhouse - What's on". Hannah Playhouse. Retrieved 2020-05-09.
- ^ Smythe, John (2004). Downstage upfront : the first 40 years of New Zealand's longest-running professional theatre. Wellington, N.Z.: Victoria University Press. ISBN 0-86473-489-1. OCLC 60386677.
- ^ Macdonald, Nikki (2019-07-10). "Obituary: Raymond Boyce: a life designed by serendipity". Stuff. Retrieved 2020-03-11.
- ^ "In memory of Raymond Boyce". Creative New Zealand. 2019-07-02.
- ^ Brisbane, Katherine, ed. (2001). The World Encyclopedia of Contemporary Theatre: Volume 5: Asia/Pacific, Volume 5. Editors: Ravi Chaturvedi, Ramendu Majumdar, Chua Soo Pong, Minoru Tanokura. London: Routledge. ISBN 0-203-98247-9. OCLC 648150215.
- ^ Martin, Olivia (2018). "Hannah Playhouse: The Home of Downstage". Stqry. Retrieved 2020-05-09.
- ^ Filmer, Andrew; Rufford, Juliet, eds. (2018). Performing architectures : projects, practices, pedagogies. London: Methuen Drama. ISBN 978-1-4742-4798-6. OCLC 1041897163.
- ^ Edwards, Simon (2010-03-09). "Hutt's striking modern skyline". Stuff. Retrieved 2020-05-09.
Further references can be found in
- Smythe, John (2004) Downstage Upfront – A 40th Anniversary Biography, ISBN 9780864734891 [1]
External links
