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  • 21 Aug, 2019

  • By, Wikipedia

Harry Ransom Humanities Research Center

The Harry Ransom Center, known as the Humanities Research Center until 1983, is an archive, library, and museum at the University of Texas at Austin, specializing in the collection of literary and cultural artifacts from the Americas and Europe for the purpose of advancing the study of the arts and humanities. The Ransom Center houses 36 million literary manuscripts, one million rare books, five million photographs, and more than 100,000 works of art.

The center has a reading room for scholars and galleries which display rotating exhibitions of works and objects from the collections. In the 2015–16 academic year, the center hosted nearly 6,000 research visits resulting in the publication of over 145 books.

History

Ian McEwan, whose archives are housed at the Harry Ransom Center

In 1957, Harry Ransom founded the Humanities Research Center in 1957 with the ambition of expanding the rare books and manuscript holdings of the University of Texas. He acquired the Edward Alexander Parsons Collection, the T. Edward Hanley Collection, and the Norman Bel Geddes Collection.

Ransom was only the official director of the center from 1958 to 1961, but he directed and presided over a period of great expansion in the collections until his resignation in 1971 as chancellor of the University of Texas System. The center moved into its current building in 1972.

F. Warren Roberts was the official director from 1961 to 1976. He acquired the Helmut Gernsheim collection of photographs and the archives of authors D. H. Lawrence, John Steinbeck, and Evelyn Waugh, and in 1968 the Carlton Lake Collection.

After Roberts's tenure, John Payne and then Carlton Lake served as interim directors from 1976 to 1980. In 1978, the center acquired its complete copy of the Gutenberg Bible.

In 1980, the center hired Decherd Turner as director. Turner acquired the Giorgio Uzielli Collection of Aldine editions, the Anne Sexton archive, the Robert Lee Wolff Collection of 19th-century fiction, the Pforzheimer Collection, the David O. Selznick archive, the Gloria Swanson archive, and the Ernest Lehman Collection. Upon Decherd Turner's retirement in 1988, Thomas F. Staley became director of the center.

Staley acquired the Woodward and Bernstein Watergate Papers, a copy of the Plantin Polyglot Bible, and more than 100 literary archives.

In September 2013, Stephen Enniss, former head librarian of the Folger Shakespeare Library, was appointed director of the Ransom Center. Under Enniss, the Ransom Center continued to collect archives, including those of Kazuo Ishiguro Arthur Miller and Ian McEwan.

In 1983, the institution's name was changed from the Humanities Research Center to the Harry Ransom Center.

Notable collections

Nicéphore Niépce's View from the Window at Le Gras, c. 1826, on permanent display in Harry Ransom Center's main lobby

Two prominent items in the Ransom Center's collections are a Gutenberg Bible, one of only 21 complete copies known to exist, and Nicéphore Niépce's c. 1826 View from the Window at Le Gras, the first successful permanent photograph from nature. Both of these objects are on permanent display in the main lobby.

The center also houses many culturally important documents and artifacts. Particular strengths include modern literature, performing arts, and photography. Besides the Gutenberg Bible and the photograph, notable holdings include:

Literature

George L. Aiken's original manuscript for his stage adaptation of Uncle Tom's Cabin, published in 1852 from the George C. Howard and Family Collection at the Harry Ransom Center

Extensive manuscript collections of George Atherton Aitken, Julia Alvarez, Julian Barnes, Marthe Bibesco, Elizabeth Bowen, T. C. Boyle, Lewis Carroll, J. M. Coetzee, Billy Collins, Aleister Crowley, Don DeLillo, Gabriel García Márquez, Erle Stanley Gardner, Graham Greene, Kazuo Ishiguro, James Joyce, D. H. Lawrence, T. E. Lawrence, Doris Lessing, Norman Mailer, Carson McCullers, Ian McEwan, McSweeney's, Brian Moore, Anne Sexton, David Foster Wallace, and T.H. White

Theatre and performing arts

Film and television

Art

History