List Of Paintings By Thomas Cole
Self-taught, Cole began painting portraits in 1822. In the ensuing years, he shifted his focus to landscapes. One of Cole's first landscapes, Lake with Dead Trees (1825), was among those that first popularized his works in an 1825 exhibition. Most of his early works depict the wilderness, "the truly American forest", typically the Hudson River Valley and Catskills where he resided. From 1831 to 1832, Cole traversed Italy; some of the classical ruins he visited made appearances in his paintings, such as Aqueduct near Rome (1832), Roman Campagna (1843), and Arch of Nero (1846). While in Rome, Cole formulated the concept for his most ambitious work yet: The Course of Empire, a series of five paintings following the rise and fall of civilization. Completed in 1836, the series reflects nostalgia for pastoralism and Cole's personal opposition to US President Andrew Jackson. His 1836 painting The Oxbow encompasses many of the themes from his earlier landscapes, juxtaposing untamed nature with "civilized" land. Later in life, Cole transitioned away from natural landscapes to focus more on works conveying religious or spiritual themes. In 1842, he painted The Voyage of Life, another allegorical series, this time depicting the course of an individual's life. His 1847 painting Prometheus Bound, based on the Greek myth, is believed by some analysts to express abolitionist sentiments. One of Cole's final landscapes, Cross at Sunset, was left unfinished after his premature death in 1848.
Today, Cole's work are held across a wide variety of major and national museums, with the Metropolitan Museum of Art, Museum of Fine Arts, Boston, and the National Gallery of Art having some of the largest collections. The following list consists only of paintings documented in public collections.
Paintings
Dated works
Image | Title | Year | Medium | Dimensions | Collection | Ref. |
---|---|---|---|---|---|---|
Lake with Dead Trees | 1825 | Oil on canvas | 68.6 by 85.7 centimetres (27.0 in × 33.7 in) | Allen Memorial Art Museum, Ohio | ||
View of Fort Putnam | 1825 | Oil on canvas | 69.2 by 86.4 centimetres (27.2 in × 34.0 in) | Philadelphia Museum of Art, Pennsylvania | ||
Landscape | 1825 | Oil on canvas | 60.3 by 80 centimetres (23.7 in × 31.5 in) | Minneapolis Institute of Art, Minnesota | ||
Catskills Mountain Landscape | c. 1826 | Oil on wood | 40.3 by 55.6 centimetres (15.9 in × 21.9 in) | Sheldon Museum of Art, Nebraska | ||
The Tempest | c. 1826 | Oil on panel | 47.6 by 63.5 centimetres (18.7 in × 25.0 in) | High Museum of Art, Georgia | ||
Kaaterskill Falls | 1826 | Oil on canvas | 64.2 by 89.7 centimetres (25.3 in × 35.3 in) | Wadsworth Atheneum, Connecticut | ||
Sunrise in the Catskills | 1826 | Oil on canvas | 64.8 by 90.1 centimetres (25.5 in × 35.5 in) | National Gallery of Art, Washington, D.C. | ||
Landscape, the Seat of Mr. Featherstonhaugh in the Distance | 1826 | Oil on canvas | 83.8 by 121.9 centimetres (33.0 in × 48.0 in) | Philadelphia Museum of Art, Pennsylvania | ||
View on the Schoharie | 1826 | Oil on canvas | 92.7 by 117.5 centimetres (36.5 in × 46.3 in) | Fenimore Art Museum, New York | ||
Daniel Boone Sitting At the Door of His Cabin on the Great Osage Lake Kentucky | 1826 | Oil on canvas | 97.2 by 108.3 centimetres (38.3 in × 42.6 in) | Mead Art Museum, Massachusetts | ||
From the Top of Kaaterskill Falls | 1826 | Oil on canvas | 79.1 by 104.5 centimetres (31.1 in × 41.1 in) | Detroit Institute of Arts, Michigan | ||
The Woodchopper, Lake Featherstonhaugh | 1826 | Oil on panel | 68.6 by 86.4 centimetres (27.0 in × 34.0 in) | USC Fisher Museum of Art, California | ||
The Last of the Mohicans: The Death of Cora | c. 1827 | Oil on canvas | Unknown | University of Pennsylvania, Pennsylvania | ||
Peace at Sunset | c. 1827 | Oil on canvas | 68.9 by 81.9 centimetres (27.1 in × 32.2 in) | Fine Arts Museums of San Francisco, California | ||
Scene from "The Last of the Mohicans," Cora Kneeling at the Feet of Tamenund | 1827 | Oil on canvas | 64.5 by 89.1 centimetres (25.4 in × 35.1 in) | Metropolitan Museum of Art, New York | ||
The Clove, Catskills | 1827 | Oil on canvas | 64.1 by 89.2 centimetres (25.2 in × 35.1 in) | New Britain Museum of American Art, Connecticut | ||
View of the Round-Top in the Catskill Mountains | 1827 | Oil on panel | 47.3 by 64.5 centimetres (18.6 in × 25.4 in) | Museum of Fine Arts, Boston, Massachusetts | ||
View in the White Mountains | 1827 | Oil on canvas | 64.5 by 89.4 centimetres (25.4 in × 35.2 in) | Wadsworth Atheneum, Connecticut | ||
Autumn in the Catskills | 1827 | Oil on wood | 47.3 by 64.6 centimetres (18.6 in × 25.4 in) | Arnot Art Museum, New York | ||
View near the Village of Catskill | 1827 | Oil on panel | 62.2 by 88.9 centimetres (24.5 in × 35.0 in) | Fine Arts Museums of San Francisco, California | ||
Landscape Composition: Saint John in the Wilderness | 1827 | Oil on canvas | 91.4 by 73.5 centimetres (36.0 in × 28.9 in) | Wadsworth Atheneum, Connecticut | ||
Lake Winnepesaukee | c. 1827 – c. 1828 | Oil on canvas | 64.8 by 87 centimetres (25.5 in × 34.3 in) | Albany Institute of History & Art, New York | ||
Expulsion: Moon and Firelight | c. 1828 | Oil on canvas | 91.4 by 122 centimetres (36.0 in × 48.0 in) | Thyssen-Bornemisza Museum, Madrid | ||
Expulsion from the Garden of Eden | 1828 | Oil on canvas | 101 by 138.4 centimetres (39.8 in × 54.5 in) | Museum of Fine Arts, Boston, Massachusetts | ||
Landscape (Landscape with Tree Trunks) | 1828 | Oil on canvas | 66.4 by 81.9 centimetres (26.1 in × 32.2 in) | Rhode Island School of Design Museum of Art, Rhode Island | ||
The Garden of Eden | 1828 | Oil on canvas | 38.5 by 52.8 centimetres (15.2 in × 20.8 in) | Amon Carter Museum of American Art, Texas | ||
View on Lake Winnipiseogee | 1828 | Oil on panel | 50.2 by 66.4 centimetres (19.8 in × 26.1 in) | Wadsworth Atheneum, Connecticut | ||
The Subsiding of the Waters of the Deluge | 1829 | Oil on canvas | 90.8 by 121.3 centimetres (35.7 in × 47.8 in) | Smithsonian American Art Museum, Washington, D.C. | ||
Distant View of Niagara Falls | 1830 | Oil on panel | 47.9 by 60.6 centimetres (18.9 in × 23.9 in) | Art Institute of Chicago, Illinois | ||
Tornado in an American Forest | 1831 | Oil on canvas | 117.8 by 164.2 centimetres (46.4 in × 64.6 in) | National Gallery of Art, Washington, D.C. | ||
A Wild Scene | c. 1831 – c. 1832 | Oil on canvas | 129.7 by 194.5 centimetres (51.1 in × 76.6 in) | Baltimore Museum of Art, Maryland | ||
Aqueduct near Rome | 1832 | Oil on canvas | 44.5 by 67.3 centimetres (17.5 in × 26.5 in) | Mildred Lane Kemper Art Museum, Missouri | ||
The Dead Abel | 1832 | Oil on panel | 17 by 28.5 centimetres (6.7 in × 11.2 in) | Albany Institute of History & Art, New York | ||
Ruined Tower (Mediterranean Coast Scene with Tower) | c. 1832 – c. 1836 | Oil on composition board | 68 by 86.4 centimetres (26.8 in × 34.0 in) | Albany Institute of History & Art, New York | ||
Ruined Castle and River | c. 1832 | Oil on canvas | 20.2 by 31.7 centimetres (8.0 in × 12.5 in) | Brooklyn Museum, New York | ||
The Cascatelli, Tivoli, Looking Towards Rome | c. 1832 | Oil on canvas | 85.7 by 113 centimetres (33.7 in × 44.5 in) | Columbus Museum of Art, Ohio | ||
A View near Tivoli (Morning) | 1832 | Oil on canvas | 37.5 by 58.7 centimetres (14.8 in × 23.1 in) | Metropolitan Museum of Art, New York | ||
Salvator Rosa Sketching Banditti | c. 1832 – c. 1840 | Oil on panel | 17.8 by 24.1 centimetres (7.0 in × 9.5 in) | Museum of Fine Arts, Boston, Massachusetts | ||
Catskill Scenery | c. 1833 | Oil on canvas | 62.2 by 82.2 centimetres (24.5 in × 32.4 in) | Saint Louis Art Museum, Missouri | ||
Sunset, View on the Catskill | 1833 | Oil on wood | 41.9 by 62.2 centimetres (16.5 in × 24.5 in) | New-York Historical Society, New York | ||
The Titan's Goblet | 1833 | Oil on canvas | 49.2 by 41 centimetres (19.4 in × 16.1 in) | Metropolitan Museum of Art, New York | ||
Scene from Byron’s “Manfred” | 1833 | Oil on canvas | 127 by 96.5 centimetres (50.0 in × 38.0 in) | Yale University Art Gallery, Connecticut | ||
Landscape (Moonlight) | c. 1833 – c. 1834 | Oil on canvas | 62.5 by 80.6 centimetres (24.6 in × 31.7 in) | New-York Historical Society, New York | ||
The Course of Empire: Destruction | c. 1833 – c. 1836 | Oil on canvas | 100.3 by 161.3 centimetres (39.5 in × 63.5 in) | New-York Historical Society, New York | ||
The Angel Appearing to the Shepherds | c. 1834 – c. 1834 | Oil on canvas | 101.5 by 185.5 centimetres (40.0 in × 73.0 in) | Chrysler Museum of Art, Virginia | ||
Autumn Twilight, View of Conway Peak (Mount Chocorua), New Hampshire | 1834 | Oil on wood | 34.9 by 49.5 centimetres (13.7 in × 19.5 in) | New-York Historical Society, New York | ||
Summer Twilight, A Recollection of a Scene in New-England | 1834 | Oil on wood | 35.6 by 49.5 centimetres (14.0 in × 19.5 in) | New-York Historical Society, New York | ||
Clouds | c. 1838 | Oil on paper laid down on canvas |
22.2 by 27.6 centimetres (8.7 in × 10.9 in) | Metropolitan Museum of Art, New York | ||
Self-Portrait | c. 1836 | Oil on canvas | 55.9 by 45.7 centimetres (22.0 in × 18.0 in) | New-York Historical Society, New York | ||
The Oxbow | 1836 | Oil on canvas | 130.8 by 193 centimetres (51.5 in × 76.0 in) | Metropolitan Museum of Art, New York | ||
The Course of Empire: The Savage State | c. 1833 – c. 1836 | Oil on canvas | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York | ||
The Course of Empire: The Arcadian or Pastoral State | c. 1834 | Oil on canvas | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York | ||
The Course of Empire: Consummation | c. 1835 – c. 1836 | Oil on canvas (relined) | 130.2 by 193 centimetres (51.3 in × 76.0 in) | New-York Historical Society, New York | ||
The Course of Empire: Desolation | 1836 | Oil on canvas (relined) | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York | ||
View on the Catskill Early Autumn | c. 1836 – c. 1837 | Oil on canvas | 99.1 by 160 centimetres (39.0 in × 63.0 in) | Metropolitan Museum of Art, New York | ||
View of Florence from San Miniato | 1837 | Oil on canvas | 125.4 by 186.7 centimetres (49.4 in × 73.5 in) | Cleveland Museum of Art, Ohio | ||
The Departure | 1837 | Oil on canvas | 100.3 by 161.6 centimetres (39.5 in × 63.6 in) | National Gallery of Art, Washington, D.C. | ||
The Return | 1837 | Oil on canvas | 100.3 by 161.4 centimetres (39.5 in × 63.5 in) | National Gallery of Art, Washington, D.C. | ||
View on the Arno, near Florence | 1837 | Oil on canvas | 84.5 by 135.5 centimetres (33.3 in × 53.3 in) | Worcester Art Museum, Massachusetts | ||
The Vesper Hymn | c. 1838 | Oil on canvas | 53.7 by 45.4 centimetres (21.1 in × 17.9 in) | Yale University Art Gallery, Connecticut | ||
Dream of Arcadia | c. 1838 | Oil on canvas | 98.1 by 159.4 centimetres (38.6 in × 62.8 in) | Denver Art Museum, Colorado | ||
Romantic Landscape with Ruined Tower | 1838 | Oil on canvas | 86.4 by 116.8 centimetres (34.0 in × 46.0 in) | National Gallery of Art, Washington, D.C. | ||
View of Schroon Mountain, Essex County, New York, After a Storm | 1838 | Oil on canvas | 99.8 by 160.5 centimetres (39.3 in × 63.2 in) | The Cleveland Museum of Art, Ohio | ||
The Present | 1838 | Oil on canvas | 103.5 by 156.5 centimetres (40.7 in × 61.6 in) | Mead Art Museum, Massachusetts | ||
The Past | 1838 | Oil on canvas | 102.9 by 153.7 centimetres (40.5 in × 60.5 in) | Mead Art Museum, Massachusetts | ||
North Mountain and Catskill Creek | 1838 | Oil on canvas | 67.2 by 92.6 centimetres (26.5 in × 36.5 in) | Yale University Art Gallery, Connecticut | ||
The Notch of the White Mountains | 1839 | Oil on canvas | 102 by 155.8 centimetres (40.2 in × 61.3 in) | National Gallery of Art, Washington, D.C. | ||
New England Scenery | 1839 | Oil on canvas | 57.1 by 46.7 centimetres (22.5 in × 18.4 in) | Art Institute of Chicago, Illinois | ||
Gardens of the Van Rensselaer Manor House | 1840 | Oil on canvas | 61 by 91 centimetres (24 in × 36 in) | Albany Institute of History & Art, New York | ||
The Architect's Dream | 1840 | Oil on canvas | 134.7 by 213.6 centimetres (53.0 in × 84.1 in) | Toledo Museum of Art, Ohio | ||
The Fountain of Vaucluse | 1841 | Oil on canvas | 175.3 by 124.8 centimetres (69.0 in × 49.1 in) | Dallas Museum of Art, Texas | ||
Sunset in the Catskills | 1841 | Oil on canvas | 57.2 by 76.2 centimetres (22.5 in × 30.0 in) | Museum of Fine Arts, Boston, Massachusetts | ||
The Return from the Tournament | 1841 | Oil on canvas | 101 by 153.7 centimetres (39.8 in × 60.5 in) | National Gallery of Art, Washington, D.C. | ||
Mill Dam on the Catskill Creek | 1841 | Oil on canvas | 56.5 by 76.2 centimetres (22.2 in × 30.0 in) | Currier Museum of Art, New Hampshire | ||
The Temple of Segesta with the Artist Sketching | c. 1842 | Oil on canvas | 49.9 by 76.5 centimetres (19.6 in × 30.1 in) | Museum of Fine Arts, Boston, Massachusetts | ||
The Voyage of Life: Childhood | 1842 | Oil on canvas | 134.3 by 195.3 centimetres (52.9 in × 76.9 in) | National Gallery of Art, Washington, D.C. | ||
The Voyage of Life: Youth | 1842 | Oil on canvas | 134.3 by 194.9 centimetres (52.9 in × 76.7 in) | National Gallery of Art, Washington, D.C. | ||
The Voyage of Life: Manhood | 1842 | Oil on canvas | 134.3 by 202.6 centimetres (52.9 in × 79.8 in) | National Gallery of Art, Washington, D.C. | ||
The Voyage of Life: Old Age | 1842 | Oil on canvas | 133.4 by 196.2 centimetres (52.5 in × 77.2 in) | National Gallery of Art, Washington, D.C. | ||
View of Sicily | c. 1842 – c. 1845 | Oil on wood panel | 18.6 by 25.7 centimetres (7.3 in × 10.1 in)18.6 x 25.7 cm | Pennsylvania Academy of the Fine Arts, Pennsylvania | ||
River in the Catskills | 1843 | Oil on canvas | 69.9 by 102.6 centimetres (27.5 in × 40.4 in) | Museum of Fine Arts Boston, Massachusetts | ||
Angels Ministering to Christ in the Wilderness | 1843 | Oil on linen | 189.2 by 152.4 centimetres (74.5 in × 60.0 in) | Worcester Art Museum, Massachusetts | ||
Roman Campagna | 1843 | Oil on canvas | 82.6 by 106.7 centimetres (32.5 in × 42.0 in) | Wadsworth Atheneum, Connecticut | ||
Mount Etna from Taormina, Sicily | 1843 | Oil on canvas | 200 by 306 centimetres (79 in × 120 in) | Wadsworth Atheneum, Connecticut | ||
An Italian Autumn | 1844 | Oil on canvas | 81.6 by 123.2 centimetres (32.1 in × 48.5 in) | Museum of Fine Arts, Boston, Massachusetts | ||
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning | 1844 | Oil on canvas | 91 by 136.9 centimetres (35.8 in × 53.9 in) | Brooklyn Museum, New York | ||
American Lake Scene | 1844 | Oil on canvas | 46.4 by 62.2 centimetres (18.3 in × 24.5 in) | Detroit Institute of Arts, Michigan | ||
The Mill, Sunset | 1844 | Oil on canvas | 66.4 by 91.6 centimetres (26.1 in × 36.1 in) | Nelson-Atkins Museum of Art, Missouri | ||
View of the Thames | 1845 | Oil on panel | 34 by 51.4 centimetres (13.4 in × 20.2 in) | Museum of Fine Arts, Boston, Massachusetts | ||
Il Penseroso | 1845 | Oil on canvas | 82.2 by 122.1 centimetres (32.4 in × 48.1 in) | Los Angeles County Museum of Art, California | ||
The Cross in the Wilderness | 1845 | Unknown | 61 by 61 centimetres (24 in × 24 in) | Louvre, Paris | ||
Catskill Creek | 1845 | Oil on canvas | 67.3 by 91.4 centimetres (26.5 in × 36.0 in) | New-York Historical Society, New York | ||
View across Frenchman's Bay from Mt. Desert Island, after a Squall | 1845 | Oil on canvas | 97.3 by 159 centimetres (38.3 in × 62.6 in) | Cincinnati Art Museum, Ohio | ||
L'Allegro | 1845 | Oil on canvas | 81.6 by 121.9 centimetres (32.1 in × 48.0 in) | Los Angeles County Museum of Art, California | ||
The Hunter's Return | 1845 | Oil on canvas | 101.9 by 153.7 centimetres (40.1 in × 60.5 in) | Amon Carter Museum of American Art, Texas | ||
A Pic-Nic Party | 1846 | Oil on canvas | 121.6 by 137.2 centimetres (47.9 in × 54.0 in) | Brooklyn Museum, New York | ||
Arch of Nero | 1846 | Oil on canvas | 153 by 122.6 centimetres (60.2 in × 48.3 in) | The Newark Museum of Art, New Jersey | ||
The Mountain Ford | 1846 | Oil on canvas | 71.8 by 101.8 centimetres (28.3 in × 40.1 in) | Metropolitan Museum of Art, New York | ||
The Cross and the World: The Pilgrim of the Cross at the End of His Journey | c. 1846 – c. 1848 | Oil on canvas | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | Smithsonian American Art Museum, Washington, D.C. | ||
Indian Pass (Essex County, New York) | 1847 | Oil on canvas | 101.8 by 75.6 centimetres (40.1 in × 29.8 in) | Museum of Fine Arts, Houston, Texas | ||
Prometheus Bound | 1847 | Oil on canvas | 243.8 by 162.6 centimetres (96.0 in × 64.0 in) | Fine Arts Museums of San Francisco, California | ||
Genesee Scenery | 1847 | Oil on canvas | 130.8 by 99.7 centimetres (51.5 in × 39.3 in) | Rhode Island School of Design Museum of Art, Rhode Island | ||
Home in the Woods | 1847 | Oil on canvas | 168 by 112.7 centimetres (66.1 in × 44.4 in) | Reynolda House Museum of American Art, North Carolina | ||
The Good Shepherd | 1848 | Oil on canvas | 81.3 by 121.9 centimetres (32.0 in × 48.0 in) | Crystal Bridges Museum of American Art, Arkansas | ||
Cross at Sunset | c. 1848 | Oil on canvas | 81.8 by 122.4 centimetres (32.2 in × 48.2 in) | Thyssen-Bornemisza Museum, Madrid |
Undated works
Image | Title | Medium | Dimensions | Collection | Ref. |
---|---|---|---|---|---|
Italian Landscape (formerly The Catskills from Saugerties) | Oil on board | 13.3 by 23.5 centimetres (5.2 in × 9.3 in) | Fralin Museum of Art, Virginia | ||
Dead Rising from Tombs | Oil on thin wood board | 19 by 27.5 centimetres (7.5 in × 10.8 in) | Princeton University Art Museum, New Jersey | ||
Italian Ruins, unfinished | Oil on board | 24.1 by 31.8 centimetres (9.5 in × 12.5 in) | Thomas Cole National Historic Site, New York | ||
Landscape, Sunrise in the Clove | Oil on canvas | 14 by 21.6 centimetres (5.5 in × 8.5 in) | Thomas Cole National Historic Site, New York |
Preparative works
Image | Title | Year | Medium | Dimensions | Collection | Ref. |
---|---|---|---|---|---|---|
Study for The Angel Appearing to the Shepherds | 1831 | Oil on board | 17.8 by 22.2 centimetres (7.0 in × 8.7 in) | Chrysler Museum of Art, Virginia | ||
Study for the Savage State | c. 1834 | Oil on canvas | 18.7 by 26 centimetres (7.4 in × 10.2 in) | Princeton University Art Museum, New Jersey | ||
Sketch for The Oxbow | 1836 | Oil and pencil on composition board | 14 by 23.8 centimetres (5.5 in × 9.4 in) | Metropolitan Museum of Art, New York | ||
Study for The Voyage of Life: Manhood | c. 1837 – c. 1839 | Oil on wooden panel | 30.5 by 34.6 centimetres (12.0 in × 13.6 in) | Albany Institute of History & Art, New York | ||
Study for The Voyage of Life: Old Age | c. 1837 – c. 1839 | Oil on wooden panel | 30.5 by 34.8 centimetres (12.0 in × 13.7 in) | Albany Institute of History & Art, New York | ||
Figure Study for The Voyage of Life: Youth | c. 1839 – c. 1840 | Oil and graphite on canvas | 64.1 by 52.7 centimetres (25.2 in × 20.7 in) | Munson-Williams-Proctor Arts Institute, New York | ||
Figure Study for The Voyage of Life: Manhood | c. 1839 – c. 1840 | Oil on diagonal weave canvas | 26.7 by 20.5 centimetres (10.5 in × 8.1 in) | Munson-Williams-Proctor Arts Institute, New York | ||
Compositional Study for The Voyage of Life: Manhood | c. 1840 | Oil on academy board | 31.1 by 43.7 centimetres (12.2 in × 17.2 in) | Smith College Museum of Art, Massachusetts | ||
Study for Catskill Creek | c. 1844 – c. 1845 | Oil on panel | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | National Gallery of Art, Washington, D.C. | ||
Study for The Cross and the World | c. 1846 – c. 1847 | Oil on panel | 30.1 by 46.2 centimetres (11.9 in × 18.2 in) | Brooklyn Museum, New York | ||
Study for The Cross and the World: The Pilgrim of the World on his Journey | c. 1846 – c. 1847 | Oil on canvas | 30 by 46 centimetres (12 in × 18 in) | Albany Institute of History & Art, New York | ||
Study for The Pilgrim of the World at the End of His Journey | c. 1847 | Oil on canvas | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | Smithsonian American Art Museum, Washington, D.C. |
See also
Notes and references
Notes
- ^ Also known as Catskill
- ^ Also known as Evening in the White Mountains
- ^ Also called A Tornado in the Wilderness
- ^ The work was originally intended to have been a study for a larger work.
- ^ Also known as View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm
- ^ Also called Ruins of Aqueducts in the Campagna Di Roma
References
- ^ "Thomas Cole". National Gallery of Art. Archived from the original on August 9, 2020. Retrieved August 17, 2020.
- ^ Genocchio, Benjamin (June 18, 2006). "In an Untamed Wilderness, Finding the Serene". The New York Times. Archived from the original on January 15, 2018. Retrieved August 18, 2020.
- ^ Cotter, Holland (March 15, 2018). "Thomas Cole, American Moralist". The New York Times. Archived from the original on May 24, 2020. Retrieved August 17, 2020.
- ^ Kornhauser, Elizabeth (January 8, 2018). "Re-examining Thomas Cole". The Magazine Antiques. Archived from the original on May 8, 2018. Retrieved May 8, 2018.
- ^ Parry III, Ellwood C. (Summer 1985). "Thomas Cole's "The Hunter's Return"". The American Art Journal. 17 (3): 2–17. doi:10.2307/1594431. JSTOR 1594431. Archived from the original on December 5, 2020. Retrieved August 24, 2020.
- ^ Truettner, William H.; Wallach, Alan (1994). Thomas Cole: Landscape into History. Yale University Press. pp. 25–26. ISBN 978-0-300-05850-5.
- ^ Weidman, J. "Modern Landscapes". Allen Memorial Art Museum. Archived from the original on July 21, 2020. Retrieved August 18, 2020.
- ^ "Thomas Cole's Story". Thomas Cole National Historical Site. Archived from the original on July 16, 2020. Retrieved August 18, 2020.
- ^ "Thomas Cole". Crystal Bridges Museum of American Art. Archived from the original on August 24, 2020. Retrieved August 21, 2020.
- ^ Roque, Oswaldo Rodriguez (1982). ""The Oxbow" by Thomas Cole: Iconography of an American Landscape Painting". Metropolitan Museum Journal. 17: 63–73. doi:10.2307/1512787. JSTOR 1512787. S2CID 194070182. Archived from the original on December 5, 2020. Retrieved August 25, 2020.
- ^ Junker, Patricia (2000). "Thomas Cole's "Prometheus Bound:" An Allegory for the 1840s". The American Art Journal. 31 (1/2): 32–55. doi:10.2307/1594625. JSTOR 1594625. Archived from the original on December 5, 2020. Retrieved August 25, 2020.
- ^ "Cross at Sunset". Thyssen-Bornemisza Museum. Archived from the original on May 23, 2019. Retrieved August 17, 2020.
- ^ "Lake with Dead Trees (Catskill)". Allen Memorial Art Museum. Archived from the original on August 15, 2020. Retrieved August 17, 2020.
- ^ "Lake with Dead Trees (Catskill)". Explore Thomas Cole. Archived from the original on December 28, 2019. Retrieved August 20, 2020.
- ^ "View of Fort Putnam". Philadelphia Museum of Art. Archived from the original on September 7, 2020. Retrieved August 29, 2020.
- ^ "View of Fort Putnam". Explore Thomas Cole. Archived from the original on September 16, 2020. Retrieved August 29, 2020.
- ^ "Landscape, 1825". Minneapolis Institute of Art. Archived from the original on June 29, 2018. Retrieved August 17, 2020.
- ^ "Catskills Mountain Landscape". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 3, 2020.
- ^ "The Tempest". High Museum of Art. Archived from the original on December 5, 2020. Retrieved August 19, 2020.
- ^ "Kaaterskill Falls". Wadsworth Atheneum Museum of Art. Archived from the original on August 24, 2020. Retrieved August 18, 2020.
- ^ "Sunrise in the Catskills, 1826". National Gallery of Art. Archived from the original on July 27, 2020. Retrieved August 17, 2020.
- ^ "Landscape, the Seat of Mr. Featherstonhaugh in the Distance". Philadelphia Museum of Art. Archived from the original on August 10, 2020. Retrieved August 17, 2020.
- ^ "View on the Schoharie". Fenimore Art Museum. Archived from the original on September 22, 2020. Retrieved September 1, 2020.
- ^ "View on the Schoharie". Explore Thomas Cole. Archived from the original on October 28, 2020. Retrieved September 1, 2020.
- ^ "Daniel Boone Sitting At the Door of His Cabin on the Great Osage Lake Kentucky". Explore Thomas Cole. Archived from the original on September 20, 2020. Retrieved August 30, 2020.
- ^ "Daniel Boone at His Cabin at Great Osage Lake". Five Colleges and Historic Deerfield Museum Consortium. Archived from the original on September 18, 2020. Retrieved September 11, 2020.
- ^ "From the Top of Kaaterskill Falls". Detroit Institute of Arts. Archived from the original on December 5, 2020. Retrieved September 1, 2020.
- ^ "The Woodchopper, Lake Featherstonhaugh". Explore Thomas Cole. Archived from the original on September 20, 2020. Retrieved August 30, 2020.
- ^ "The Last of the Mohicans: The Death of Cora". The Penn Art Collection. Archived from the original on May 8, 2018. Retrieved August 17, 2020.
- ^ "Peace at Sunset (Evening in the White Mountains)". Fine Arts Museums of San Francisco. Archived from the original on June 28, 2018. Retrieved August 17, 2020.
- ^ "Scene from "The Last of the Mohicans," Cora Kneeling at the Feet of Tamenund". The Met. Archived from the original on August 14, 2020. Retrieved August 21, 2020.
- ^ "The Clove, Catskills". San Francisco Gate. Archived from the original on August 19, 2020. Retrieved August 18, 2020.
- ^ "The Clove, Catskills". Explore Thomas Cole. Archived from the original on February 5, 2020. Retrieved August 18, 2020.
- ^ "View of the Round-Top in the Catskill Mountains". Museum of Fine Arts, Boston. Archived from the original on April 3, 2019. Retrieved August 18, 2020.
- ^ "View in the White Mountains". White Mountain Art & Artists. Archived from the original on June 20, 2019. Retrieved August 21, 2020.
- ^ "Autumn in the Catskills". Explore Thomas Cole. Archived from the original on September 20, 2020. Retrieved August 21, 2020.
- ^ "View near the Village of Catskill". Fine Arts Museums of San Francisco. Archived from the original on June 28, 2018. Retrieved August 18, 2020.
- ^ "Landscape Composition, St. John in the Wilderness". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved August 19, 2020.
- ^ "Lake Winnepesaukee". Albany Institute of History & Art. Archived from the original on May 9, 2018. Retrieved August 19, 2020.
- ^ "Expulsion. Moon and Firelight". Thyssen-Bornemisza Museo Nacional. Archived from the original on February 8, 2017. Retrieved August 19, 2020.
- ^ "Expulsion from the Garden of Eden". Museum of Fine Arts, Boston. Archived from the original on June 27, 2018. Retrieved August 19, 2020.
- ^ "Landscape (Landscape with Tree Trunks)". Rhode Island School of Design Museum of Art. Archived from the original on May 7, 2018. Retrieved August 19, 2020.
- ^ "The Garden of Eden". The Met. Archived from the original on December 5, 2020. Retrieved August 21, 2020.
- ^ "View on Lake Winnipiseogee". Smithsonian Institution. Archived from the original on December 5, 2020. Retrieved August 21, 2020.
- ^ "View on Lake Winnipiseogee". American Art Gallery. Archived from the original on December 5, 2020. Retrieved August 21, 2020.
- ^ "The Subsiding of the Waters of the Deluge". Smithsonian American Art Museum. Archived from the original on November 5, 2020. Retrieved August 19, 2020.
- ^ "Distant View of Niagara Falls". Art Institute of Chicago. Archived from the original on May 8, 2018. Retrieved August 19, 2020.
- ^ "A Tornado in the Wilderness". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Tornado in an American Forest". National Gallery of Art. Archived from the original on December 5, 2020. Retrieved August 17, 2020.
- ^ "A Wild Scene". Explore Thomas Cole. Archived from the original on August 15, 2020. Retrieved August 21, 2020.
- ^ "Aqueduct near Rome". Mildred Lane Kemper Art Museum. Archived from the original on September 3, 2020. Retrieved August 18, 2020.
- ^ "The Dead Abel". Albany Institute of History & Art. Archived from the original on May 7, 2018. Retrieved August 19, 2020.
- ^ "Ruined Tower (Mediterranean Coast Scene with Tower)". Albany Institute of History & Art. Archived from the original on November 8, 2018. Retrieved August 19, 2020.
- ^ "Ruined Castle and River". Brooklyn Museum. Archived from the original on May 10, 2020. Retrieved August 17, 2020.
- ^ "The Cascatelli, Tivoli, Looking Towards Rome". Columbus Museum of Art. Archived from the original on May 8, 2018. Retrieved August 19, 2020.
- ^ "A View near Tivoli (Morning)". The Met. Archived from the original on June 30, 2018. Retrieved August 19, 2020.
- ^ "Salvator Rosa Sketching Banditti". Museum of Fine Arts, Boston. Archived from the original on December 5, 2020. Retrieved August 19, 2020.
- ^ "Catskill Scenery". Saint Louis Art Museum. Archived from the original on August 11, 2020. Retrieved August 21, 2020.
- ^ "Sunset, View on the Catskill". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Sunset, View on the Catskill". New-York Historical Society. Archived from the original on December 5, 2020. Retrieved September 11, 2020.
- ^ "The Titan's Goblet". The Met. Archived from the original on August 24, 2020. Retrieved August 19, 2020.
- ^ "Scene from Byron's "Manfred"". Yale University Art Gallery. Archived from the original on August 14, 2020. Retrieved August 19, 2020.
- ^ "Landscape (Moonlight)". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Landscape (Moonlight)". New-York Historical Society. Archived from the original on September 9, 2016. Retrieved September 8, 2020.
- ^ "The Course of Empire: Destruction". New-York Historical Society. Archived from the original on August 7, 2020. Retrieved August 17, 2020.
- ^ "The Angel Appearing to the Shepherds". Google Arts and Culture. Archived from the original on December 5, 2020. Retrieved August 20, 2020.
- ^ "Autumn Twilight, View of Conway Peak (Mount Chocorua), New Hampshire". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Autumn Twilight, View of Corway Peak [Mount Chocorua], New Hampshire". New-York Historical Society. Archived from the original on June 22, 2018. Retrieved September 11, 2020.
- ^ "Summer Twilight, A Recollection of a Scene in New-England". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Summer Twilight, A Recollection of a Scene in New England". New-York Historical Society. Archived from the original on April 30, 2016. Retrieved September 11, 2020.
- ^ "Clouds". The Met. Archived from the original on November 2, 2015. Retrieved August 17, 2020.
- ^ "Self-Portrait". Explore Thomas Cole. Archived from the original on August 15, 2020. Retrieved September 5, 2020.
- ^ "Thomas Cole (1801–1848)". New-York Historical Society. Archived from the original on June 3, 2018. Retrieved September 11, 2020.
- ^ "The Oxbow". The Met. Archived from the original on September 24, 2020. Retrieved August 18, 2020.
- ^ "The Course of Empire: The Savage State". New-York Historical Society. Archived from the original on May 7, 2018. Retrieved August 18, 2020.
- ^ "The Course of Empire: The Arcadian or Pastoral State". New-York Historical Society. Archived from the original on May 8, 2018. Retrieved August 18, 2020.
- ^ "The Course of Empire: Consummation". New-York Historical Society. Archived from the original on August 10, 2020. Retrieved August 18, 2020.
- ^ "The Course of Empire: Desolation". New-York Historical Society. Archived from the original on May 7, 2018. Retrieved August 17, 2020.
- ^ "View on the Catskill Early Autumn". The Met. Archived from the original on November 3, 2015. Retrieved August 18, 2020.
- ^ "View of Florence". Cleveland Museum of Art. 31 October 2018. Archived from the original on August 11, 2020. Retrieved August 19, 2020.
- ^ "The Departure". National Gallery of Art. Archived from the original on May 6, 2017. Retrieved August 18, 2020.
- ^ "The Return". National Gallery of Art. Archived from the original on May 6, 2017. Retrieved August 18, 2020.
- ^ "View on the Arno, near Florence". Worcester Art Museum. Archived from the original on May 17, 2018. Retrieved August 21, 2020.
- ^ "The Vesper Hymn". Yale University Art Gallery. Archived from the original on August 15, 2020. Retrieved August 18, 2020.
- ^ "Dream of Arcadia". Denver Art Museum. Archived from the original on June 29, 2018. Retrieved August 18, 2020.
- ^ "Romantic Landscape with Ruined Tower". National Gallery of Art. Archived from the original on May 6, 2017. Retrieved August 18, 2020.
- ^ "View of Schroon Mountain, Essex County, New York, After a Storm". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "The Present". Five Colleges and Historic Deerfield Consortium. Archived from the original on May 8, 2018. Retrieved August 19, 2020.
- ^ "The Past". Fice Colleges and Historic Deerfield Museum Consortium. Archived from the original on August 12, 2020. Retrieved August 18, 2020.
- ^ "North Mountain and Catskill Creek". Yale University Art Gallery. Archived from the original on August 14, 2020. Retrieved August 18, 2020.
- ^ "The Notch of the White Mountains". National Gallery of Art. Archived from the original on May 1, 2017. Retrieved August 18, 2020.
- ^ "New England Scenery". Art Institute of Chicago. Archived from the original on May 8, 2018. Retrieved August 17, 2020.
- ^ "Gardens of the Van Rensselaer Manor House". Albany Institute of History and art. Archived from the original on November 8, 2018. Retrieved August 17, 2020.
- ^ "The Architect's Dream". Toledo Museum of Art. Archived from the original on May 8, 2018. Retrieved August 19, 2020.
- ^ "The Fountain of Vaucluse". Dallas Museum of Art. Archived from the original on April 8, 2016. Retrieved August 19, 2020.
- ^ "Sunset in the Catskills". Museum of Fine Arts, Boston. Archived from the original on June 29, 2018. Retrieved August 17, 2020.
- ^ "The Return from the Tournament". National Gallery of Art. Archived from the original on August 28, 2018. Retrieved August 18, 2020.
- ^ "Mill Dam on the Catskill Creek". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "The Temple of Segesta with the Artist Sketching". Museum of Fine Arts, Boston. Archived from the original on June 28, 2018. Retrieved August 18, 2020.
- ^ "The Voyage of Life: Childhood". National Gallery of Art. Archived from the original on October 17, 2020. Retrieved September 11, 2020.
- ^ "The Voyage of Life: Youth". National Gallery of Art. Archived from the original on December 26, 2016. Retrieved August 18, 2020.
- ^ "The Voyage of Life: Manhood". National Gallery of Art. Archived from the original on September 4, 2017. Retrieved August 18, 2020.
- ^ "The Voyage of Life: Old Age, 1842". National Gallery of Art. Archived from the original on January 27, 2017. Retrieved August 17, 2020.
- ^ "View of Sicily". Pennsylvania Academy of the Fine Arts. 28 December 2014. Archived from the original on December 5, 2020. Retrieved August 18, 2020.
- ^ "River in the Catskills". Museum of Fine Arts Boston. Archived from the original on April 3, 2019. Retrieved August 18, 2020.
- ^ "Angels Ministering to Christ in the Wilderness". Worcester Art Museum. Archived from the original on December 5, 2020. Retrieved August 21, 2020.
- ^ "Roman Campagna (Ruins of Aqueducts in the Campagna Di Roma)". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved August 21, 2020.
- ^ "Mount Etna from Taormina, Sicily". Explore Thomas Cole. Archived from the original on October 28, 2020. Retrieved August 29, 2020.
- ^ "An Italian Autumn". Museum of Fine Arts, Boston. Archived from the original on June 29, 2018. Retrieved August 18, 2020.
- ^ "A View of the Two Lakes and Mountain House, Catskill Mountains, Morning". Brooklyn Museum. Archived from the original on July 13, 2020. Retrieved August 19, 2020.
- ^ "American Lake Scene". Detroit Institute of Arts. Archived from the original on December 5, 2020. Retrieved August 19, 2020.
- ^ "The Mill, Sunset". Nelson-Atkins Museum of Art. Archived from the original on December 5, 2020. Retrieved August 21, 2020.
- ^ "View of the Thames". Museum of Fine Arts, Boston. Archived from the original on December 5, 2020. Retrieved August 19, 2020.
- ^ "Il Penseroso". Los Angeles County Museum of Art. Archived from the original on June 29, 2018. Retrieved August 19, 2020.
- ^ "La Croix dans la solitude". Louvre Museum (in French). Archived from the original on May 7, 2018. Retrieved August 19, 2020.
- ^ "La Croix dans la solitude". Louvre Museum (in French). Archived from the original on September 28, 2020. Retrieved September 11, 2020.
- ^ "Catskill Creek". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Catskill Creek, N.Y." New-York Historical Society. Archived from the original on April 29, 2016. Retrieved September 11, 2020.
- ^ "View across Frenchman's Bay from Mt. Desert Island, after a Squall". Cincinnati Art Museum. Archived from the original on May 7, 2018. Retrieved August 17, 2020.
- ^ "L'Allegro". Los Angeles County Museum of Art. Archived from the original on June 29, 2018. Retrieved August 19, 2020.
- ^ "The Hunter's Return". Amon Carter Museum of American Art. Archived from the original on August 3, 2020. Retrieved August 29, 2020.
- ^ "A Pic-Nic Party". Brooklyn Museum. Archived from the original on January 14, 2020. Retrieved August 19, 2020.
- ^ "The Arch of Nero". Newark Museum. Archived from the original on December 5, 2020. Retrieved August 20, 2020.
- ^ "The Mountain Ford". The Met. Archived from the original on July 14, 2020. Retrieved August 19, 2020.
- ^ "The Cross and the World: The Pilgrim of the Cross at the End of His Journey". Smithsonian American Art Museum. Archived from the original on March 3, 2016. Retrieved August 18, 2020.
- ^ "Indian Pass". Google Arts and Culture. Archived from the original on December 5, 2020. Retrieved August 20, 2020.
- ^ "Prometheus Bound". Fine Arts Museums of San Francisco. Archived from the original on September 19, 2019. Retrieved August 19, 2020.
- ^ "Genesee Scenery". RISD Museum. Archived from the original on May 8, 2018. Retrieved August 18, 2020.
- ^ "Home in the Woods". Reynolda House Museum of American Art. Archived from the original on September 24, 2019. Retrieved August 18, 2020.
- ^ "The Good Shepherd". Crystal Bridges Museum of American Art. Archived from the original on May 7, 2018. Retrieved August 18, 2020.
- ^ "Italian Landscape". The Fralin Museum of Art. Archived from the original on December 3, 2017. Retrieved August 17, 2020.
- ^ "Dead Rising from Tombs". Princeton University Art Museum. Archived from the original on May 19, 2016. Retrieved August 17, 2020.
- ^ "Italian Ruins, unfinished". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Landscape, Sunrise in the Clove". Explore Thomas Cole. Archived from the original on October 1, 2020. Retrieved September 5, 2020.
- ^ "Study for The Angel Appearing to the Shepherds". Chrysler Museum of Art. Archived from the original on December 5, 2020. Retrieved August 20, 2020.
- ^ "Study for the Savage State". Explore Thomas Cole. Archived from the original on December 29, 2019. Retrieved September 3, 2020.
- ^ "Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm". The Met. Archived from the original on June 30, 2018. Retrieved August 18, 2020.
- ^ "Study for The Voyage of Life: Manhood". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Study for The Voyage of Life: Old Age". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Figure Study for The Voyage of Life: Youth". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Figure Study for The Voyage of Life: Manhood". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Compositional Study for the Voyage of Life: Manhood". Explore Thomas Cole. Archived from the original on September 9, 2016. Retrieved September 5, 2020.
- ^ "Study for Catskill Creek". National Gallery of Art. Archived from the original on April 21, 2016. Retrieved August 18, 2020.
- ^ "Study for The Cross and the World". Brooklyn Museum. Archived from the original on January 14, 2020. Retrieved August 19, 2020.
- ^ "Study for The Cross and the World—The Pilgrim of the World on his Journey". Albany Institute of History & Art. Archived from the original on May 7, 2018. Retrieved August 19, 2020.
- ^ "Study for The Pilgrim of the World at the End of His Journey". Smithsonian American Art Museum. Archived from the original on March 3, 2016. Retrieved August 19, 2020.
External links
- Thomas Cole paintings at the National Gallery of Art
- Thomas Cole works at the Metropolitan Museum of Art
- Explore Thomas Cole provided by the National Park Service