Mauritius Blue Pigeon
The bird was first mentioned in the 17th century and was described several times thereafter, but very few accounts describe the behaviour of living specimens. The oldest record of the species is two sketches from a 1601–1603 ship's journal. Several stuffed specimens reached Europe in the 18th and 19th centuries, while only three stuffed specimens exist today. A live bird kept in the Netherlands around 1790 was long thought to have been a Mauritius blue pigeon, but examination of illustrations depicting it have shown it was most likely a Seychelles blue pigeon. The species is thought to have become extinct in the 1830s due to deforestation and predation.
Taxonomy
The oldest record of the Mauritius blue pigeon is two sketches in the 1601–1603 journal of the Dutch ship Gelderland. The birds appear to have been freshly killed or stunned. The drawings were made by the Dutch artist Joris Joostensz Laerle on Mauritius, but were not published until 1969. François Cauche in 1651 briefly mentioned "white, black and red turtle doves", encountered in 1638, which is thought to be the first unequivocal mention of the bird. The next account is that of Jean-François Charpentier de Cossigny in the mid-18th century.
The French naturalist Pierre Sonnerat described the bird in 1782, calling it Pigeon Hollandais (Dutch pigeon), a French vernacular name that derives from its red, white, and blue colouration, reminiscent of the Dutch flag (the French flag did not have these colours before the 1789 revolution). He had collected two specimens during a voyage in 1774. These syntype specimens were deposited in the Muséum national d'Histoire naturelle in Paris. By 1893, only one of them, specimen MNHN n°C.G. 2000–727, still existed, and had been damaged by sulphuric acid in an attempt at fumigation. Since Sonnerat named and described them in French, the scientific naming of the bird was left to the Tyrolean naturalist Giovanni Antonio Scopoli, who did not observe a specimen himself, but Latinised Sonnerat's description in 1786. He named the bird Columba nitidissima, which means "most brilliant pigeon".
The German naturalist Johann Friedrich Gmelin described the bird with the species name franciae (referring to France) in 1789, and the French naturalist Pierre Joseph Bonnaterre used the name batavica (referring to Batavia) in his 1790 description. In 1840 the English zoologist George Robert Gray named a new genus, Alectroenas, for the Mauritius blue pigeon; alektruon in Greek means domestic cock, and oinas means dove. Alectroenas nitidissima is the type species of the genus, which includes all blue pigeons. The specific name was emended from A. nitidissimus to A. nitidissima by the IOC World Bird List in 2012.
Another skin arrived at the Paris museum in 1800, collected by Colonel M. Mathieu for the French ornithologist Louis Dufresne. It was sold in 1819 among other items, was sent to Edinburgh, and is now in the National Museum of Scotland as specimen MU No. 624. It was not identified as a Mauritius blue pigeon until the British ornithologist Alfred Newton saw it in 1879. The last specimen recorded was shot in Savanne in 1826 and given to Julien Desjardins, founder of the Mauritius Natural History Museum in Port Louis, where it is still located, though in poor condition. Only these three taxidermic specimens still exist. Subfossil remains of the Mauritius blue pigeon were collected in the Mare aux Songes swamp by Théodore Sauzier in 1889. More were collected by Etienne Thirioux around 1900. They are thought to have been found near Le Pouce mountain and Plaine des Roches.
Evolution
Alectroenas blue pigeons are closely interrelated and occur widely throughout islands in the western Indian Ocean. They are allopatric and can therefore be regarded as a superspecies. There are three extant species: the Madagascar blue pigeon (A. madagascariensis), the Comoros blue pigeon (A. sganzini), and the Seychelles blue pigeon (A. pulcherrima). The three Mascarene islands were each home to a species, all of which are extinct: the Mauritius blue pigeon, the Rodrigues blue pigeon (A. payandeei), and the Réunion blue pigeon (A. sp.).
Compared with other pigeons, the blue pigeons are medium to large, stocky, and have longer wings and tails. All the species have distinct mobile hackles on the head and neck. The tibiotarsus is comparatively long and the tarsometatarsus short. The blue pigeons may have colonised the Mascarenes, the Seychelles or a now submerged hot spot island by "island hopping". They may have evolved into a distinct genus there before reaching Madagascar. Their closest genetic relative is the cloven-feathered dove of New Caledonia (Drepanoptila holosericea), from which they separated 8–9 million years ago. Their ancestral group appears to be the fruit doves (Ptilinopus) of Southeast Asia and Oceania.
Misidentified records
A blue pigeon recorded as being from Mauritius was brought to the Netherlands around 1790, where it survived in the menagerie of William V, Prince of Orange for three months before dying of oedema. The only known life drawings thought to show the species depict this individual; they were drawn by the Dutch artist Gijsbertus Haasbroek and first published by Piet Tuijn in 1969 (along with the Gelderland sketches). The illustrations show a displaying male raising its hackles into a ruff. This is a characteristic behaviour of other blue pigeons, too, and they can also vibrate their hackles. The director of the menagerie, Arnout Vosmaer, wrote a description of this individual on the back of the coloured drawing, stating it was called "Pavillons Hollandais", could turn its head-feathers upwards like a collar, and made calls sounding like "baf baf", as well as a cooing sound.
Unlike the three surviving skins of Mauritius blue pigeons, Haasbroek's illustration shows a red forehead. Both sexes of the Seychelles blue pigeon also have red foreheads, and the English palaeontologist Julian P. Hume suggested that the image depicts a male, which was described as "infinitely more handsome" than the female by Cossigny in the mid-18th century. Hume therefore interpreted the three surviving skins as belonging to female specimens.
In 2020, the Dutch researcher and artist Ria Winters noted that the depicted bird was in fact a Seychelles blue pigeon. The British ecologist Anthony S. Cheke elaborated on this point in 2020 (after a third Haasbroek illustration of this individual resurfaced at an auction), and noted that because one of Haasbroek's paintings was originally published in monochrome in 1969, this may have blinded later researchers, even when the coloured version resurfaced. Cheke found it perfectly clear that the colouration was consistent with a Seychelles blue pigeon, as its tail is dark blue instead of red, and the crown is red instead of white. Cheke also suggested that the name "Pavillons Hollandais" mentioned by Vosmaer was a corruption of pigeon hollandais, the name also used for the Mauritius blue pigeon, as both species have the red, white and blue colours similar to the Dutch flag. While Vosmaer's record of the bird coming from Mauritius was misleading, it may have been correct since it was probably shipped from the Seychelles via Mauritius, and would likely therefore have been reported as such (the Seychelles were a dependency of Mauritius at the time).