Emily Wilding Davison (11 October 1872 – 8 June 1913) was an English suffragette who fought for votes for women in Britain in the early twentieth century. A member of the Women's Social and Political Union (WSPU) and a militant fighter for her cause, she was arrested on nine occasions, went on hunger strike seven times and was force-fed on forty-nine occasions. She died after being hit by King George V's horse Anmer at the 1913 Derby when she walked onto the track during the race.

Davison grew up in a middle-class family, and studied at Royal Holloway College, London, and St Hugh's College, Oxford, before taking jobs as a teacher and governess. She joined the WSPU in November 1906 and became an officer of the organisation and a chief steward during marches. She soon became known in the organisation for her militant action; her tactics included breaking windows, throwing stones, setting fire to postboxes, planting bombs and, on three occasions, hiding overnight in the Palace of Westminster—including on the night of the 1911 census. Her funeral on 14 June 1913 was organised by the WSPU. A procession of 5,000 suffragettes and their supporters accompanied her coffin and 50,000 people lined the route through London; her coffin was then taken by train to the family plot in Morpeth, Northumberland. (Full article...)

Sir Arthur John Gielgud, OM, CH (/ˈɡiːlɡʊd/ GHEEL-guud; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art (RADA), he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show The Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter. (Full article...)

Hajji Chrismansyah Rahadi ([xrisˈmanʃah raˈhadi]; born Christian Rahadi [xristiˈan raˈhadi]; 16 September 1949 – 30 March 2007), better known by his stage name Chrisye ([xəˈriʃə]), was an Indonesian progressive pop singer and songwriter. In 2011, Rolling Stone Indonesia declared him the third-greatest Indonesian musician of all time.

Born in Jakarta of mixed Chinese-Indonesian descent, Chrisye became interested in music at an early age. At high school he played bass guitar in a band he formed with his brother, Joris. In the late 1960s he joined Sabda Nada (later Gipsy), a band led by his neighbours, the Nasutions. In 1973, after a short hiatus, he rejoined the band to play in New York for a year. He briefly returned to Indonesia and then went back to New York with another band, the Pro's. After once again returning to Indonesia, he collaborated with Gipsy and Guruh Sukarnoputra to record the 1976 indie album Guruh Gipsy. (Full article...)

Clarence 13X, also known as Allah the Father (born Clarence Edward Smith) (February 22, 1928 – June 13, 1969), was an American religious leader and the founder of the Five-Percent Nation, sometimes referred to as the Nation of Gods and Earths (NGE/NOGE). He was born in Virginia and moved to New York City as a young man, before serving in the United States Army during the Korean War. After returning to New York, he learned that his wife had joined the Nation of Islam (NOI). He followed her, taking the name Clarence 13X. He served in the group as a security officer, martial arts instructor, and student minister before leaving for an unclear reason in 1963. He enjoyed gambling, which was condemned by the NOI, and disagreed with their teachings that Wallace Fard Muhammad was a divine messenger.

After leaving the NOI, Clarence 13X formed a new group with other former members. He concluded that all black men were divine and took the name Allah to symbolize this status. He rejected the belief in an invisible God, teaching that God could be found within each black man. In his view, women were "earths" that complemented and nurtured men. He believed that they should be submissive to men. He and a few assistants retained some NOI teachings and pioneered novel interpretations of them. They ascribed teachings to the meaning of letters and numerals: understanding the meaning of each letter and number was said to provide deep truths about God and the universe. Clarence 13X referred to his new movement as the Five Percenters, referencing a NOI teaching that only five percent of the population knew and promoted the truth about God. One way that he distinguished his group from his previous faith, was by rejecting dress codes or strict behavioral guidelines—he allowed the consumption of alcohol, and at times, the use of illegal drugs. (Full article...)

Herbert Hensley Henson (8 November 1863 – 27 September 1947) was an English Anglican cleric, scholar and polemicist. He was Bishop of Hereford from 1918 to 1920 and Bishop of Durham from 1920 to 1939.

Henson's father was a devout follower of the Christian sect the Plymouth Brethren and disapproved of schools. Henson was not allowed to go to school until he was fourteen, and was largely self-educated. He was admitted to the University of Oxford, and gained a first-class degree in 1884. In the same year he was elected as a fellow of All Souls College, Oxford, and began to make a reputation as a speaker. He was ordained priest in 1888. (Full article...)

Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 1⁄3-inch (8.5 mm) gap between his two upper front teeth.

Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. On his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959). (Full article...)

Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.

Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua (c. 1590–1613) and then until his death in the Republic of Venice where he was maestro di cappella at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. (Full article...)