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  • 21 Aug, 2019

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Portal:History

The History Portal

Historia by Nikolaos Gyzis
Historia by Nikolaos Gyzis


History (derived from Ancient Greek ἱστορία (historía) 'inquiry; knowledge acquired by investigation') is the systematic study and documentation of human past. History is an academic discipline which uses a narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians debate which narrative best explains an event, as well as the significance of different causes and effects. Historians debate the nature of history as an end in itself, and its usefulness in giving perspective on the problems of the present.

The period of events before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts or traditional oral histories, art and material artifacts, and ecological markers. History is incomplete and still has debatable mysteries.

Stories common to a particular culture, but not supported by external sources (such as the tales surrounding King Arthur), are usually classified as cultural heritage or legends. History differs from myth in that it is supported by verifiable evidence. However, ancient cultural influences have helped create variant interpretations of the nature of history, which have evolved over the centuries and continue to change today. The modern study of history is wide-ranging, and includes the study of specific regions and certain topical or thematic elements of historical investigation. History is taught as a part of primary and secondary education, and the academic study of history is a major discipline in universities.

Herodotus, a 5th-century BCE Greek historian, is often considered the "father of history", as one of the first historians in the Western tradition, though he has been criticized as the "father of lies". Along with his contemporary Thucydides, he helped form the foundations for the modern study of past events and societies. Their works continue to be read today, and the gap between the culture-focused Herodotus and the military-focused Thucydides remains a point of contention or approach in modern historical writing. In East Asia a state chronicle, the Spring and Autumn Annals, was reputed to date from as early as 722 BCE, though only 2nd-century BCE texts have survived. The title "father of history" has also been attributed, in their respective societies, to Sima Qian and Ibn Khaldun. (Full article...)

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

  • Image 2 USS Chesapeake, painting by F. Muller (early 1900s) Chesapeake was a 38-gun wooden-hulled, three-masted heavy frigate of the United States Navy. She was one of the original six frigates whose construction was authorized by the Naval Act of 1794. Joshua Humphreys designed these frigates to be the young navy's capital ships. Chesapeake was originally designed as a 44-gun frigate, but construction delays, material shortages and budget problems caused builder Josiah Fox to alter his design to 38 guns. Launched at the Gosport Navy Yard on 2 December 1799, Chesapeake began her career during the Quasi-War with France and later saw service in the First Barbary War. On 22 June 1807 she was fired upon by HMS Leopard of the Royal Navy for refusing to allow a search for deserters. The event, now known as the Chesapeake–Leopard affair, angered the American public and government and was a precipitating factor that led to the War of 1812. As a result of the affair, Chesapeake's commanding officer, James Barron, was court-martialed and the United States instituted the Embargo Act of 1807 against the United Kingdom. (Full article...)

    Chesapeake was a 38-gun wooden-hulled, three-masted heavy frigate of the United States Navy. She was one of the original six frigates whose construction was authorized by the Naval Act of 1794. Joshua Humphreys designed these frigates to be the young navy's capital ships. Chesapeake was originally designed as a 44-gun frigate, but construction delays, material shortages and budget problems caused builder Josiah Fox to alter his design to 38 guns. Launched at the Gosport Navy Yard on 2 December 1799, Chesapeake began her career during the Quasi-War with France and later saw service in the First Barbary War.

    On 22 June 1807 she was fired upon by HMS Leopard of the Royal Navy for refusing to allow a search for deserters. The event, now known as the Chesapeake–Leopard affair, angered the American public and government and was a precipitating factor that led to the War of 1812. As a result of the affair, Chesapeake's commanding officer, James Barron, was court-martialed and the United States instituted the Embargo Act of 1807 against the United Kingdom. (Full article...)
  • Image 3 An engraving of Orion from Johann Bayer's Uranometria, 1603 (US Naval Observatory Library) In Greek mythology, Orion (/əˈraɪən/; Ancient Greek: Ὠρίων or Ὠαρίων; Latin: Orion) was a giant huntsman whom Zeus (or perhaps Artemis) placed among the stars as the constellation of Orion. Ancient sources told several different stories about Orion; there are two major versions of his birth and several versions of his death. The most important recorded episodes are his birth in Boeotia, his visit to Chios where he met Merope and raped her, being blinded by Merope's father, the recovery of his sight at Lemnos, his hunting with Artemis on Crete, his death by the bow of Artemis or the sting of the giant scorpion which became Scorpius, and his elevation to the heavens. Most ancient sources omit some of these episodes and several tell only one. These various incidents may originally have been independent, unrelated stories, and it is impossible to tell whether the omissions are simple brevity or represent a real disagreement. (Full article...)
    An engraving of Orion from Johann Bayer's Uranometria, 1603 (US Naval Observatory Library)


    In Greek mythology, Orion (/əˈrən/; Ancient Greek: Ὠρίων or Ὠαρίων; Latin: Orion) was a giant huntsman whom Zeus (or perhaps Artemis) placed among the stars as the constellation of Orion.

    Ancient sources told several different stories about Orion; there are two major versions of his birth and several versions of his death. The most important recorded episodes are his birth in Boeotia, his visit to Chios where he met Merope and raped her, being blinded by Merope's father, the recovery of his sight at Lemnos, his hunting with Artemis on Crete, his death by the bow of Artemis or the sting of the giant scorpion which became Scorpius, and his elevation to the heavens. Most ancient sources omit some of these episodes and several tell only one. These various incidents may originally have been independent, unrelated stories, and it is impossible to tell whether the omissions are simple brevity or represent a real disagreement. (Full article...)
  • Image 4 The memorial after Remembrance Sunday, 2021 The Great Western Railway War Memorial is a First World War memorial by Charles Sargeant Jagger and Thomas S. Tait. It stands on platform 1 at London Paddington station, commemorating the 2,500 employees of the Great Western Railway (GWR) who were killed in the conflict. One-third of the GWR's workforce of almost 80,000 left to fight in the First World War, the company guaranteeing their jobs, and the GWR gave over its workshops for munitions manufacturing as well as devoting its network to transporting soldiers and military equipment. The company considered several schemes for a war memorial before approaching Jagger to design a statue. Some officials continued to push for an alternate design, to the point that Jagger threatened to resign. Jagger was working on several other war memorial commissions at the same time as the GWR's, including his most famous, the Royal Artillery Memorial. The memorial consists of a bronze statue of a soldier, dressed in heavy winter clothing, reading a letter from home. The statue stands on platform 1 of Paddington station, on a polished granite plinth within a white stone surround. The names of the dead were recorded on a roll that was buried underneath the plinth. Viscount Churchill, the company chairman, unveiled the memorial on 11 November 1922, in front of the Archbishop of Canterbury, GWR officials, and more than 6,000 relatives of the dead. Such was the expected size of the crowd that the GWR built viewing stands across two platforms and the tracks in between them. (Full article...)

    The Great Western Railway War Memorial is a First World War memorial by Charles Sargeant Jagger and Thomas S. Tait. It stands on platform 1 at London Paddington station, commemorating the 2,500 employees of the Great Western Railway (GWR) who were killed in the conflict. One-third of the GWR's workforce of almost 80,000 left to fight in the First World War, the company guaranteeing their jobs, and the GWR gave over its workshops for munitions manufacturing as well as devoting its network to transporting soldiers and military equipment. The company considered several schemes for a war memorial before approaching Jagger to design a statue. Some officials continued to push for an alternate design, to the point that Jagger threatened to resign. Jagger was working on several other war memorial commissions at the same time as the GWR's, including his most famous, the Royal Artillery Memorial.

    The memorial consists of a bronze statue of a soldier, dressed in heavy winter clothing, reading a letter from home. The statue stands on platform 1 of Paddington station, on a polished granite plinth within a white stone surround. The names of the dead were recorded on a roll that was buried underneath the plinth. Viscount Churchill, the company chairman, unveiled the memorial on 11 November 1922, in front of the Archbishop of Canterbury, GWR officials, and more than 6,000 relatives of the dead. Such was the expected size of the crowd that the GWR built viewing stands across two platforms and the tracks in between them. (Full article...)
  • Image 5 Manchester Cenotaph in 2017, in its new location near the town hall; looking south Manchester Cenotaph is a war memorial in St Peter's Square, Manchester, England. Manchester was late in commissioning a First World War memorial compared with most British towns and cities; the city council did not convene a war memorial committee until 1922. The committee quickly achieved its target of raising £10,000 but finding a suitable location for the monument proved controversial. The preferred site in Albert Square would have required the removal and relocation of other statues and monuments, and was opposed by the city's artistic bodies. The next choice was Piccadilly Gardens, an area already identified for a possible art gallery and library; but in the interests of speedier delivery, the memorial committee settled on St Peter's Square. The area within the square had been had been purchased by the City Council in 1906, having been the site of the former St Peter's Church; whose sealed burial crypts remained with burials untouched and marked above ground by a memorial stone cross. Negotiations to remove these stalled so the construction of the cenotaph proceeded with the cross and burials in situ. Having picked a site, it was originally proposed to choose an architect by open competition, but the memorial committee was criticised in the local press when it reserved the right to overrule the judgement of the independent assessor. A sub-committee therefore approached Sir Edwin Lutyens directly, who produced, in a matter of weeks, a variation of his design for the Cenotaph in London. The memorial consists of a central cenotaph and a Stone of Remembrance flanked by twin obelisks, all features characteristic of Lutyens' works. Raised steps either side of the Stone of Remembrance provided east-facing tribunes for the colour party in memorial parades. The cenotaph is topped by an effigy of a fallen soldier and decorated with relief carvings of the imperial crown, Manchester's coat of arms and inscriptions commemorating the dead. The structures, based on classical architecture, use abstract, ecumenical shapes rather than overt religious symbolism. In submitting the design, Lutyens stated that he envisaged the crypts and cross as remaining in place; as the cenotaph could stand on the foundations of the former church tower and the cross would serve to "consecrate the site", while there would be no explicit religious symbolism on the cenotaph itself. (Full article...)

    Manchester Cenotaph is a war memorial in St Peter's Square, Manchester, England. Manchester was late in commissioning a First World War memorial compared with most British towns and cities; the city council did not convene a war memorial committee until 1922. The committee quickly achieved its target of raising £10,000 but finding a suitable location for the monument proved controversial. The preferred site in Albert Square would have required the removal and relocation of other statues and monuments, and was opposed by the city's artistic bodies. The next choice was Piccadilly Gardens, an area already identified for a possible art gallery and library; but in the interests of speedier delivery, the memorial committee settled on St Peter's Square. The area within the square had been had been purchased by the City Council in 1906, having been the site of the former St Peter's Church; whose sealed burial crypts remained with burials untouched and marked above ground by a memorial stone cross. Negotiations to remove these stalled so the construction of the cenotaph proceeded with the cross and burials in situ.

    Having picked a site, it was originally proposed to choose an architect by open competition, but the memorial committee was criticised in the local press when it reserved the right to overrule the judgement of the independent assessor. A sub-committee therefore approached Sir Edwin Lutyens directly, who produced, in a matter of weeks, a variation of his design for the Cenotaph in London. The memorial consists of a central cenotaph and a Stone of Remembrance flanked by twin obelisks, all features characteristic of Lutyens' works. Raised steps either side of the Stone of Remembrance provided east-facing tribunes for the colour party in memorial parades. The cenotaph is topped by an effigy of a fallen soldier and decorated with relief carvings of the imperial crown, Manchester's coat of arms and inscriptions commemorating the dead. The structures, based on classical architecture, use abstract, ecumenical shapes rather than overt religious symbolism. In submitting the design, Lutyens stated that he envisaged the crypts and cross as remaining in place; as the cenotaph could stand on the foundations of the former church tower and the cross would serve to "consecrate the site", while there would be no explicit religious symbolism on the cenotaph itself. (Full article...)
  • Image 6 Wing Commander Peter Jeffrey, c. 1942–43 Peter Jeffrey, DSO, DFC (6 July 1913 – 6 April 1997) was a senior officer and fighter ace in the Royal Australian Air Force (RAAF). Born in Tenterfield, New South Wales, he joined the RAAF active reserve in 1934, and transferred to the Permanent Air Force (PAF) shortly before World War II. Posted to the Middle East in July 1940, Jeffrey saw action with No. 3 Squadron and took command of the unit the following year, earning the Distinguished Flying Cross for his energy and fighting skills. He was appointed wing leader of No. 234 Wing RAF in November 1941, and became an ace the same month with his fifth solo victory. The next month he was awarded the Distinguished Service Order for his achievements, which included rescuing a fellow pilot who had crash landed in the desert. In 1942, Jeffrey was posted to the South West Pacific, where he helped organise No. 75 Squadron for the defence of Port Moresby, and No. 76 Squadron before the Battle of Milne Bay. He served two stints in charge of No. 2 Operational Training Unit in southern Australia before the end of the war, broken by command of No. 1 (Fighter) Wing in the Northern Territory and Western Australia during 1943–44, at which time he was promoted to temporary group captain. Jeffrey was transferred to the RAAF reserve after the war but returned to the PAF in 1951, holding training posts in Victoria and command of RAAF Base Edinburgh in South Australia, before resigning in 1956. Outside the military, he was a grazier and stockbroker. He died in 1997 at the age of 83. (Full article...)

    Peter Jeffrey, DSO, DFC (6 July 1913 – 6 April 1997) was a senior officer and fighter ace in the Royal Australian Air Force (RAAF). Born in Tenterfield, New South Wales, he joined the RAAF active reserve in 1934, and transferred to the Permanent Air Force (PAF) shortly before World War II. Posted to the Middle East in July 1940, Jeffrey saw action with No. 3 Squadron and took command of the unit the following year, earning the Distinguished Flying Cross for his energy and fighting skills. He was appointed wing leader of No. 234 Wing RAF in November 1941, and became an ace the same month with his fifth solo victory. The next month he was awarded the Distinguished Service Order for his achievements, which included rescuing a fellow pilot who had crash landed in the desert.

    In 1942, Jeffrey was posted to the South West Pacific, where he helped organise No. 75 Squadron for the defence of Port Moresby, and No. 76 Squadron before the Battle of Milne Bay. He served two stints in charge of No. 2 Operational Training Unit in southern Australia before the end of the war, broken by command of No. 1 (Fighter) Wing in the Northern Territory and Western Australia during 1943–44, at which time he was promoted to temporary group captain. Jeffrey was transferred to the RAAF reserve after the war but returned to the PAF in 1951, holding training posts in Victoria and command of RAAF Base Edinburgh in South Australia, before resigning in 1956. Outside the military, he was a grazier and stockbroker. He died in 1997 at the age of 83. (Full article...)
  • Image 7 The Treaty of Deabolis (Greek: συνθήκη της Δεαβόλεως) was an agreement made in 1108 between Bohemond I of Antioch and Byzantine Emperor Alexios I Komnenos, in the wake of the First Crusade. It is named after the Byzantine fortress of Deabolis (modern Devol, Albania). Although the treaty was not immediately enforced, it was intended to make the Principality of Antioch a vassal state of the Byzantine Empire. At the beginning of the First Crusade, Crusader armies assembled at Constantinople and promised to return to the Byzantine Empire any land they might conquer. However, Bohemond, the son of Alexios' former enemy Robert Guiscard, claimed the Principality of Antioch for himself. Alexios did not recognize the legitimacy of the Principality, and Bohemond went to Europe looking for reinforcements. He launched into open warfare against Alexios, laying siege to Dyrrhachium, but he was soon forced to surrender and negotiate with Alexios at the imperial camp at Deabolis, where the Treaty was signed. (Full article...)
    The Treaty of Deabolis (Greek: συνθήκη της Δεαβόλεως) was an agreement made in 1108 between Bohemond I of Antioch and Byzantine Emperor Alexios I Komnenos, in the wake of the First Crusade. It is named after the Byzantine fortress of Deabolis (modern Devol, Albania). Although the treaty was not immediately enforced, it was intended to make the Principality of Antioch a vassal state of the Byzantine Empire.

    At the beginning of the First Crusade, Crusader armies assembled at Constantinople and promised to return to the Byzantine Empire any land they might conquer. However, Bohemond, the son of Alexios' former enemy Robert Guiscard, claimed the Principality of Antioch for himself. Alexios did not recognize the legitimacy of the Principality, and Bohemond went to Europe looking for reinforcements. He launched into open warfare against Alexios, laying siege to Dyrrhachium, but he was soon forced to surrender and negotiate with Alexios at the imperial camp at Deabolis, where the Treaty was signed. (Full article...)
  • Image 8 The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At 491 by 716 cm (16 ft 1 in by 23 ft 6 in), it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on 2 July 1816. On 5 July 1816, at least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation and dehydration and practiced cannibalism (one custom of the sea). The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain. Géricault chose this large-scale uncommissioned work to launch his career, using a subject that had already generated widespread public interest. The event fascinated him, and before he began work on the final painting, he undertook extensive research and produced many preparatory sketches. He interviewed two of the survivors and constructed a detailed scale model of the raft. He visited hospitals and morgues where he could view, first-hand, the colour and texture of the flesh of the dying and dead. As he had anticipated, the painting proved highly controversial at its first appearance in the 1819 Paris Salon, attracting passionate praise and condemnation in equal measure. However, it established his international reputation and today is widely seen as seminal in the early history of the Romantic movement in French painting. (Full article...)

    The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At 491 by 716 cm (16 ft 1 in by 23 ft 6 in), it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on 2 July 1816. On 5 July 1816, at least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation and dehydration and practiced cannibalism (one custom of the sea). The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain.

    Géricault chose this large-scale uncommissioned work to launch his career, using a subject that had already generated widespread public interest. The event fascinated him, and before he began work on the final painting, he undertook extensive research and produced many preparatory sketches. He interviewed two of the survivors and constructed a detailed scale model of the raft. He visited hospitals and morgues where he could view, first-hand, the colour and texture of the flesh of the dying and dead. As he had anticipated, the painting proved highly controversial at its first appearance in the 1819 Paris Salon, attracting passionate praise and condemnation in equal measure. However, it established his international reputation and today is widely seen as seminal in the early history of the Romantic movement in French painting. (Full article...)
  • Image 9 Portrait by Godfrey Kneller, c. 1690 William III (William Henry; Dutch: Willem Hendrik; 4 November 1650 – 8 March 1702), also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s, and King of England, Ireland, and Scotland from 1689 until his death in 1702. He ruled Great Britain and Ireland with his wife, Queen Mary II, and their joint reign is known as that of William and Mary. William was the only child of William II, Prince of Orange, and Mary, Princess Royal, the daughter of King Charles I of England, Scotland, and Ireland. His father died a week before his birth, making William III the prince of Orange from birth. In 1677, he married his first cousin Mary, the elder daughter of his maternal uncle James, Duke of York, the younger brother and later successor of King Charles II. (Full article...)

    William III (William Henry; Dutch: Willem Hendrik; 4 November 1650 – 8 March 1702), also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s, and King of England, Ireland, and Scotland from 1689 until his death in 1702. He ruled Great Britain and Ireland with his wife, Queen Mary II, and their joint reign is known as that of William and Mary.

    William was the only child of William II, Prince of Orange, and Mary, Princess Royal, the daughter of King Charles I of England, Scotland, and Ireland. His father died a week before his birth, making William III the prince of Orange from birth. In 1677, he married his first cousin Mary, the elder daughter of his maternal uncle James, Duke of York, the younger brother and later successor of King Charles II. (Full article...)
  • Image 10 The Rolls-Royce Merlin The Rolls-Royce Merlin is a British liquid-cooled V-12 piston aero engine of 27-litre (1,650 cu in) capacity. Rolls-Royce designed the engine and first ran it in 1933 as a private venture. Initially known as the PV-12, it was later called Merlin following the company convention of naming its four-stroke piston aero engines after birds of prey. The engine benefitted from the racing experiences of precursor engines in the 1930s. After several modifications, the first production variants of the PV-12 were completed in 1936. The first operational aircraft to enter service using the Merlin were the Fairey Battle, Hawker Hurricane and Supermarine Spitfire. The Merlin remains most closely associated with the Spitfire and Hurricane, although the majority of the production run was for the four-engined Avro Lancaster heavy bomber. (Full article...)

    The Rolls-Royce Merlin is a British liquid-cooled V-12 piston aero engine of 27-litre (1,650 cu in) capacity. Rolls-Royce designed the engine and first ran it in 1933 as a private venture. Initially known as the PV-12, it was later called Merlin following the company convention of naming its four-stroke piston aero engines after birds of prey. The engine benefitted from the racing experiences of precursor engines in the 1930s.

    After several modifications, the first production variants of the PV-12 were completed in 1936. The first operational aircraft to enter service using the Merlin were the Fairey Battle, Hawker Hurricane and Supermarine Spitfire. The Merlin remains most closely associated with the Spitfire and Hurricane, although the majority of the production run was for the four-engined Avro Lancaster heavy bomber. (Full article...)
  • Image 11 Bolt in the cockpit of his F-86 Sabre in July 1953 John Franklin Bolt (19 May 1921 – 8 September 2004) was a naval aviator in the United States Marine Corps and a decorated flying ace who served during World War II and the Korean War. He remains the only U.S. Marine to achieve ace status in two wars and was also the only Marine jet fighter ace. He rose to the rank of lieutenant colonel during his military career. Born to a poor family in Laurens, South Carolina, Bolt was a self-described "workaholic" and was involved in numerous groups and social activities throughout his life. After dropping out of the University of Florida for financial reasons in 1941, he joined the US Navy and trained as a Marine Corps pilot. Sent to the Pacific Theater of Operations, he flew an F4U Corsair during the campaigns in the Marshall Islands and New Guinea, claiming six victories against Japanese A6M Zeros. (Full article...)

    John Franklin Bolt (19 May 1921 – 8 September 2004) was a naval aviator in the United States Marine Corps and a decorated flying ace who served during World War II and the Korean War. He remains the only U.S. Marine to achieve ace status in two wars and was also the only Marine jet fighter ace. He rose to the rank of lieutenant colonel during his military career.

    Born to a poor family in Laurens, South Carolina, Bolt was a self-described "workaholic" and was involved in numerous groups and social activities throughout his life. After dropping out of the University of Florida for financial reasons in 1941, he joined the US Navy and trained as a Marine Corps pilot. Sent to the Pacific Theater of Operations, he flew an F4U Corsair during the campaigns in the Marshall Islands and New Guinea, claiming six victories against Japanese A6M Zeros. (Full article...)
  • Image 12 Corsair fighters and Barracuda bombers ranged on the flight deck of HMS Formidable during operations off Norway in July 1944 Corsair fighters and Barracuda bombers ranged on the flight deck of HMS Formidable during operations off Norway in July 1944 Operation Mascot was an unsuccessful British carrier air raid conducted against the German battleship Tirpitz at her anchorage in Kaafjord, Norway, on 17 July 1944. The attack was one of a series of strikes against the battleship launched from aircraft carriers between April and August 1944, and was initiated after Allied intelligence determined that the damage inflicted during the Operation Tungsten raid on 3 April had been repaired. A force of 44 British dive bombers and 40 fighters took off from three aircraft carriers in the early hours of 17 July. German radar stations detected these aircraft while they were en route to Kaafjord, and Tirpitz was protected by a smoke screen by the time the strike force arrived. Few of the British airmen were able to spot the battleship, and their attacks did not inflict any significant damage. German losses were limited to a patrol craft, and three British aircraft were destroyed or damaged beyond repair by Kaafjord's defenders. A group of German submarines attempted to intercept the carrier force as it returned to base, without success. Two U-boats were sunk near the carriers by British patrol aircraft and several others were damaged. (Full article...)

    Operation Mascot was an unsuccessful British carrier air raid conducted against the German battleship Tirpitz at her anchorage in Kaafjord, Norway, on 17 July 1944. The attack was one of a series of strikes against the battleship launched from aircraft carriers between April and August 1944, and was initiated after Allied intelligence determined that the damage inflicted during the Operation Tungsten raid on 3 April had been repaired.

    A force of 44 British dive bombers and 40 fighters took off from three aircraft carriers in the early hours of 17 July. German radar stations detected these aircraft while they were en route to Kaafjord, and Tirpitz was protected by a smoke screen by the time the strike force arrived. Few of the British airmen were able to spot the battleship, and their attacks did not inflict any significant damage. German losses were limited to a patrol craft, and three British aircraft were destroyed or damaged beyond repair by Kaafjord's defenders. A group of German submarines attempted to intercept the carrier force as it returned to base, without success. Two U-boats were sunk near the carriers by British patrol aircraft and several others were damaged. (Full article...)
  • Image 13 Grapple 1 test in May 1957. Hailed as Britain's first hydrogen bomb test, it was in fact a failure. Operation Grapple was a set of four series of British nuclear weapons tests of early atomic bombs and hydrogen bombs carried out in 1957 and 1958 at Malden Island and Kiritimati (Christmas Island) in the Gilbert and Ellice Islands in the Pacific Ocean (modern Kiribati) as part of the British hydrogen bomb programme. Nine nuclear explosions were initiated, culminating in the United Kingdom becoming the third recognised possessor of thermonuclear weapons, and the restoration of the nuclear Special Relationship with the United States in the form of the 1958 US–UK Mutual Defence Agreement. During the Second World War, Britain had a nuclear weapons project, codenamed Tube Alloys, which was merged with the American Manhattan Project in August 1943. Many of Britain's top scientists participated in the Manhattan Project. After the war, fearing that Britain would lose its great power status, the British government resumed the atomic bomb development effort, now codenamed High Explosive Research. The successful test of an atomic bomb in Operation Hurricane in October 1952 represented an extraordinary scientific and technological achievement, but Britain was still several years behind the United States, which had developed the more powerful thermonuclear weapons in the meantime. In July 1954, the Cabinet agreed that the maintenance of great power status required that Britain also develop thermonuclear weapons. (Full article...)

    Operation Grapple was a set of four series of British nuclear weapons tests of early atomic bombs and hydrogen bombs carried out in 1957 and 1958 at Malden Island and Kiritimati (Christmas Island) in the Gilbert and Ellice Islands in the Pacific Ocean (modern Kiribati) as part of the British hydrogen bomb programme. Nine nuclear explosions were initiated, culminating in the United Kingdom becoming the third recognised possessor of thermonuclear weapons, and the restoration of the nuclear Special Relationship with the United States in the form of the 1958 US–UK Mutual Defence Agreement.

    During the Second World War, Britain had a nuclear weapons project, codenamed Tube Alloys, which was merged with the American Manhattan Project in August 1943. Many of Britain's top scientists participated in the Manhattan Project. After the war, fearing that Britain would lose its great power status, the British government resumed the atomic bomb development effort, now codenamed High Explosive Research. The successful test of an atomic bomb in Operation Hurricane in October 1952 represented an extraordinary scientific and technological achievement, but Britain was still several years behind the United States, which had developed the more powerful thermonuclear weapons in the meantime. In July 1954, the Cabinet agreed that the maintenance of great power status required that Britain also develop thermonuclear weapons. (Full article...)
  • Image 14 Postcard view of Beach Boulevard and the Hotel Galvez, early 1940s The Free State of Galveston (sometimes referred to as the Republic of Galveston Island) was a satirical name given to the coastal city of Galveston in the U.S. state of Texas during the early-to-mid-20th century. Today, the term is sometimes used to describe the culture and history of that era. During the Roaring Twenties, Galveston Island emerged as a popular resort town, attracting celebrities from around the country. Gambling, illegal liquor, and other vice-oriented businesses were a major part of tourism. The "Free State" moniker embodied a belief held by many locals that Galveston was beyond what they perceived were repressive mores and laws of Texas and the United States. Two major figures of the era were the businessmen, power brokers and crime bosses Sam and Rosario Maceo, who ran the chief casinos and clubs on the island and were heavily involved in local politics and the tourism industry. The success of vice on the island, despite being illegal, was enabled by lax attitudes in society and in government, both on the island and in the county. In one of the more famous examples of this, a state committee, investigating gambling at the fabled Balinese Room, was told by the local sheriff that he had not raided the establishment because it was a "private club" and because he was not a "member". (Full article...)

    The Free State of Galveston (sometimes referred to as the Republic of Galveston Island) was a satirical name given to the coastal city of Galveston in the U.S. state of Texas during the early-to-mid-20th century. Today, the term is sometimes used to describe the culture and history of that era.

    During the Roaring Twenties, Galveston Island emerged as a popular resort town, attracting celebrities from around the country. Gambling, illegal liquor, and other vice-oriented businesses were a major part of tourism. The "Free State" moniker embodied a belief held by many locals that Galveston was beyond what they perceived were repressive mores and laws of Texas and the United States. Two major figures of the era were the businessmen, power brokers and crime bosses Sam and Rosario Maceo, who ran the chief casinos and clubs on the island and were heavily involved in local politics and the tourism industry. The success of vice on the island, despite being illegal, was enabled by lax attitudes in society and in government, both on the island and in the county. In one of the more famous examples of this, a state committee, investigating gambling at the fabled Balinese Room, was told by the local sheriff that he had not raided the establishment because it was a "private club" and because he was not a "member". (Full article...)
  • Image 15 Konstantin "Kosta" Milovanović Pećanac (Serbian Cyrillic: Константин Коста Миловановић Пећанац; 1879–1944) was a Serbian and Yugoslav Chetnik commander (vojvoda) during the Balkan Wars, World War I and World War II. Pećanac fought on the Serbian side in both Balkan Wars and World War I, joining the forces of Kosta Vojinović during the Toplica uprising of 1917. Between the wars he was an important leader of Chetnik veteran associations, and was known for his strong hostility to the Yugoslav Communist Party, which made him popular in conservative circles. As president of the Chetnik Association during the 1930s, he transformed it into an aggressively partisan Serb political organisation with over half a million members. During World War II, Pećanac collaborated with both the German military administration and their puppet government in the German-occupied territory of Serbia. Just before the Axis invasion of Yugoslavia in April 1941, the Yugoslav government provided Pećanac with funds and arms to raise guerrilla units in southern Serbia, Macedonia and Kosovo. He formed a detachment of about 300 men, mostly in the Toplica river valley in southern Serbia, which avoided destruction during the invasion. In the first three months after the surrender, Pećanac gathered more troops from Serb refugees fleeing Macedonia and Kosovo. However, his Chetniks fought only Albanian groups in the region, and did not engage the Germans. Following the uprising in the occupied territory in early July 1941, Pećanac quickly resolved to abandon resistance against the occupiers, and by the end of August had concluded agreements with the German occupation forces and the puppet government of Milan Nedić to collaborate with them and fight the communist-led Partisans. In July 1942, rival Chetnik leader Draža Mihailović arranged for the Yugoslav government-in-exile to denounce Pećanac as a traitor, and his continuing collaboration with the Germans ruined what remained of the reputation he had developed in the Balkan Wars and World War I. (Full article...)

    Konstantin "Kosta" Milovanović Pećanac (Serbian Cyrillic: Константин Коста Миловановић Пећанац; 1879–1944) was a Serbian and Yugoslav Chetnik commander (vojvoda) during the Balkan Wars, World War I and World War II. Pećanac fought on the Serbian side in both Balkan Wars and World War I, joining the forces of Kosta Vojinović during the Toplica uprising of 1917. Between the wars he was an important leader of Chetnik veteran associations, and was known for his strong hostility to the Yugoslav Communist Party, which made him popular in conservative circles. As president of the Chetnik Association during the 1930s, he transformed it into an aggressively partisan Serb political organisation with over half a million members. During World War II, Pećanac collaborated with both the German military administration and their puppet government in the German-occupied territory of Serbia.

    Just before the Axis invasion of Yugoslavia in April 1941, the Yugoslav government provided Pećanac with funds and arms to raise guerrilla units in southern Serbia, Macedonia and Kosovo. He formed a detachment of about 300 men, mostly in the Toplica river valley in southern Serbia, which avoided destruction during the invasion. In the first three months after the surrender, Pećanac gathered more troops from Serb refugees fleeing Macedonia and Kosovo. However, his Chetniks fought only Albanian groups in the region, and did not engage the Germans. Following the uprising in the occupied territory in early July 1941, Pećanac quickly resolved to abandon resistance against the occupiers, and by the end of August had concluded agreements with the German occupation forces and the puppet government of Milan Nedić to collaborate with them and fight the communist-led Partisans. In July 1942, rival Chetnik leader Draža Mihailović arranged for the Yugoslav government-in-exile to denounce Pećanac as a traitor, and his continuing collaboration with the Germans ruined what remained of the reputation he had developed in the Balkan Wars and World War I. (Full article...)
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    Pericles (/ˈpɛrɪklz/, Greek: Περικλῆς; c. 495 – 429 BC) was a Greek politician and general during the Golden Age of Athens. He was prominent and influential in Ancient Athenian politics, particularly between the Greco-Persian Wars and the Peloponnesian War, and was acclaimed by Thucydides, a contemporary historian, as "the first citizen of Athens". Pericles turned the Delian League into an Athenian empire and led his countrymen during the first two years of the Peloponnesian War. The period during which he led Athens as Archon (ruler), roughly from 461 to 429 BC, is sometimes known as the "Age of Pericles", but the period thus denoted can include times as early as the Persian Wars or as late as the following century.

    Pericles promoted the arts and literature, and it was principally through his efforts that Athens acquired the reputation of being the educational and cultural center of the ancient Greek world. He started an ambitious project that generated most of the surviving structures on the Acropolis, including the Parthenon. This project beautified and protected the city, exhibited its glory, and gave work to its people. Pericles also fostered Athenian democracy to such an extent that critics called him a populist. Pericles was descended, through his mother, from the powerful and historically influential Alcmaeonid family. He, along with several members of his family, succumbed to the Plague of Athens in 429 BC, which weakened the city-state during a protracted conflict with Sparta. (Full article...)

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