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  • 21 Aug, 2019

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Portal:Iran

Iran, (Persian: ايران, Īrān; pronunciation: [iːˈɾɒn]), officially the Islamic Republic of Iran (Persian: جمهوری اسلامی ايران, transliteration: Jomhūrī-ye Eslāmī-ye Īrān), also known as Persia, is a country in Western Asia. The 18th largest country in the world, Iran is approximately the size of the United Kingdom, France, Spain, and Germany combined and has a population of over 82 million people. Iran borders Armenia, Azerbaijan, to the north-west, Russia and Kazakhstan through the Caspian Sea to the north, Turkmenistan to the north-east, Afghanistan and Pakistan to the east, and Turkey and Iraq to the west. The greater part of Iran is situated on the Iranian plateau. In addition, it borders the Persian Gulf, an important oil-producing area, and the Caspian Sea. Shi'a Islam is the official state religion and Persian the official language. The political system of Iran comprises several intricately connected governing bodies and is based on the 1979 Constitution. The highest state authority is the Supreme Leader, currently served by Ali Khamenei.

Iran has one of the oldest histories in the world, extending more than 5000 years, and throughout history, Iran has been of geostrategic importance because of its central location in Eurasia and Western Asia. Iran is a founding member of the UN, NAM, OIC, OPEC, and ECO. Iran as a major regional power occupies an important position in the world economy due to its substantial reserves of petroleum and natural gas, and has considerable regional influence in Western Asia. The name Iran is a cognate of Aryan and literally means "Land of the Aryans." (Full article...)

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  • Image 2 Coin of Vologases V, Ecbatana mint Vologases V (Parthian: 𐭅𐭋𐭂𐭔 Walagash) was King of Kings of the Parthian Empire from 191 to 208. As king of Armenia (r. 180–191), he is known as Vologases II. Not much is known about his period of kingship of Armenia, except that he put his son Rev I (r. 186–216) on the Iberian throne in 189. Vologases succeeded his father Vologases IV as king of the Parthian Empire in 191; it is uncertain if the transition of power was peaceful or if Vologases took the throne in a civil war. When Vologases acceded the Parthian throne, he passed the Armenian throne to his son Khosrov I (r. 191–217). Vologases' reign was marked by war with the Roman Empire, lasting from 195 to 202, resulting in the brief capture of the Parthian capital of Ctesiphon, and reaffirmation of Roman rule in Armenia and northern Mesopotamia. At the same time, internal conflict took place in the Parthian realm, with the local Persian prince Pabag seizing Istakhr, the capital of the southern Iranian region of Persis. (Full article...)

    Vologases V (Parthian: 𐭅𐭋𐭂𐭔 Walagash) was King of Kings of the Parthian Empire from 191 to 208. As king of Armenia (r. 180–191), he is known as Vologases II. Not much is known about his period of kingship of Armenia, except that he put his son Rev I (r. 186–216) on the Iberian throne in 189. Vologases succeeded his father Vologases IV as king of the Parthian Empire in 191; it is uncertain if the transition of power was peaceful or if Vologases took the throne in a civil war. When Vologases acceded the Parthian throne, he passed the Armenian throne to his son Khosrov I (r. 191–217).

    Vologases' reign was marked by war with the Roman Empire, lasting from 195 to 202, resulting in the brief capture of the Parthian capital of Ctesiphon, and reaffirmation of Roman rule in Armenia and northern Mesopotamia. At the same time, internal conflict took place in the Parthian realm, with the local Persian prince Pabag seizing Istakhr, the capital of the southern Iranian region of Persis. (Full article...)
  • Image 3 Gonu near peak intensity on June 4 Super Cyclonic Storm Gonu was an extremely powerful tropical cyclone that became the strongest cyclone on record in the Arabian Sea. The second named tropical cyclone of the 2007 North Indian Ocean cyclone season, Gonu developed from a persistent area of convection in the eastern Arabian Sea on June 1, 2007. With a favorable upper-level environment and warm sea surface temperatures, it rapidly intensified to attain peak winds of 240 km/h (150 mph) on June 4, according to the India Meteorological Department. Gonu weakened after encountering dry air and cooler waters, and early on June 6, it made landfall on the easternmost tip of Oman, becoming the strongest tropical cyclone to hit the Arabian Peninsula. It then turned northward into the Gulf of Oman, and dissipated on June 7, after making landfall in southern Iran, the first landfall in the country since 1898. Intense tropical cyclones like Gonu are extremely rare in the Arabian Sea, and most storms in this area tend to be small and dissipate quickly. The cyclone caused 50 deaths and about $4.2 billion in damage (2007 USD) in Oman, where the cyclone was considered the nation's worst natural disaster. Gonu dropped heavy rainfall near the eastern coastline, reaching up to 610 mm (24 inches), which caused flooding and heavy damage. In Iran, the cyclone caused 28 deaths and $216 million in damage (2007 USD). (Full article...)

    Super Cyclonic Storm Gonu was an extremely powerful tropical cyclone that became the strongest cyclone on record in the Arabian Sea. The second named tropical cyclone of the 2007 North Indian Ocean cyclone season, Gonu developed from a persistent area of convection in the eastern Arabian Sea on June 1, 2007. With a favorable upper-level environment and warm sea surface temperatures, it rapidly intensified to attain peak winds of 240 km/h (150 mph) on June 4, according to the India Meteorological Department. Gonu weakened after encountering dry air and cooler waters, and early on June 6, it made landfall on the easternmost tip of Oman, becoming the strongest tropical cyclone to hit the Arabian Peninsula. It then turned northward into the Gulf of Oman, and dissipated on June 7, after making landfall in southern Iran, the first landfall in the country since 1898.

    Intense tropical cyclones like Gonu are extremely rare in the Arabian Sea, and most storms in this area tend to be small and dissipate quickly. The cyclone caused 50 deaths and about $4.2 billion in damage (2007 USD) in Oman, where the cyclone was considered the nation's worst natural disaster. Gonu dropped heavy rainfall near the eastern coastline, reaching up to 610 mm (24 inches), which caused flooding and heavy damage. In Iran, the cyclone caused 28 deaths and $216 million in damage (2007 USD). (Full article...)
  • Image 4 Manuscript of the Opuscula nonnulla orientalia, written in Latin by the German sinologist Andreas Müller. Banakati's Tarikh-i Banakati is included in the work. Abu Sulayman Banakati (Persian: ابوسلیمان بناکتی; died 1330), was a historian and poet, who lived during the late Ilkhanate era. He is principally known for his Persian world history book, the Rawdat uli al-albab fi maʿrifat al-tawarikh wa al-ansab, better known as Tarikh-i Banakati. Banakati was also associated with the court of the Ilkhanate. He himself reports that he served as the chief poet at the court of the Ilkhanid ruler Ghazan (r. 1295–1304) in 1302. (Full article...)

    Abu Sulayman Banakati (Persian: ابوسلیمان بناکتی; died 1330), was a historian and poet, who lived during the late Ilkhanate era. He is principally known for his Persian world history book, the Rawdat uli al-albab fi maʿrifat al-tawarikh wa al-ansab, better known as Tarikh-i Banakati.

    Banakati was also associated with the court of the Ilkhanate. He himself reports that he served as the chief poet at the court of the Ilkhanid ruler Ghazan (r. 1295–1304) in 1302. (Full article...)
  • Image 5 Front view of a barrel-shaped clay cylinder resting on a stand. The cylinder is covered with lines of cuneiform text The Cyrus Cylinder, obverse and reverse sides, and transcription The Cyrus Cylinder is an ancient clay cylinder, now broken into several pieces, on which is written an Achaemenid royal inscription in Akkadian cuneiform script in the name of the Persian king Cyrus the Great. It dates from the 6th century BC and was discovered in the ruins of the ancient Mesopotamian city of Babylon (now in modern Iraq) in 1879. It is currently in the possession of the British Museum. It was created and used as a foundation deposit following the Persian conquest of Babylon in 539 BC, when the Neo-Babylonian Empire was invaded by Cyrus and incorporated into his Persian Empire. The text on the Cylinder praises Cyrus, sets out his genealogy and portrays him as a king from a line of kings. The Babylonian king Nabonidus, who was defeated and deposed by Cyrus, is denounced as an impious oppressor of the people of Babylonia and his low-born origins are implicitly contrasted to Cyrus' kingly heritage. The victorious Cyrus is portrayed as having been chosen by the chief Babylonian god Marduk to restore peace and order to the Babylonians. The text states that Cyrus was welcomed by the people of Babylon as their new ruler and entered the city in peace. It appeals to Marduk to protect and help Cyrus and his son Cambyses. It extols Cyrus as a benefactor of the citizens of Babylonia who improved their lives, repatriated displaced people and restored temples and cult sanctuaries across Mesopotamia and elsewhere in the region. It concludes with a description of how Cyrus repaired the city wall of Babylon and found a similar inscription placed there by an earlier king. (Full article...)

    The Cyrus Cylinder is an ancient clay cylinder, now broken into several pieces, on which is written an Achaemenid royal inscription in Akkadian cuneiform script in the name of the Persian king Cyrus the Great. It dates from the 6th century BC and was discovered in the ruins of the ancient Mesopotamian city of Babylon (now in modern Iraq) in 1879. It is currently in the possession of the British Museum. It was created and used as a foundation deposit following the Persian conquest of Babylon in 539 BC, when the Neo-Babylonian Empire was invaded by Cyrus and incorporated into his Persian Empire.

    The text on the Cylinder praises Cyrus, sets out his genealogy and portrays him as a king from a line of kings. The Babylonian king Nabonidus, who was defeated and deposed by Cyrus, is denounced as an impious oppressor of the people of Babylonia and his low-born origins are implicitly contrasted to Cyrus' kingly heritage. The victorious Cyrus is portrayed as having been chosen by the chief Babylonian god Marduk to restore peace and order to the Babylonians. The text states that Cyrus was welcomed by the people of Babylon as their new ruler and entered the city in peace. It appeals to Marduk to protect and help Cyrus and his son Cambyses. It extols Cyrus as a benefactor of the citizens of Babylonia who improved their lives, repatriated displaced people and restored temples and cult sanctuaries across Mesopotamia and elsewhere in the region. It concludes with a description of how Cyrus repaired the city wall of Babylon and found a similar inscription placed there by an earlier king. (Full article...)
  • Image 6 Medallion of Adud al-Dawla Fannā (Panāh) Khusraw (Persian: پناه خسرو), better known by his laqab of ʿAḍud al-Dawla (Arabic: عضد الدولة, lit. 'pillar of the [Abbasid] dynasty'; 24 September 936 – 26 March 983) was an emir of the Buyid dynasty, ruling from 949 to 983, and at his height of power ruling an empire stretching from Makran to Yemen and the shores of the Mediterranean Sea. He is widely regarded as the greatest monarch of the dynasty, and by the end of his reign he was the most powerful ruler in the Middle East. The son of Rukn al-Dawla, Fanna Khusraw was given the title of Adud al-Dawla by the Abbasid caliph in 948 when he was made emir of Fars after the death of his childless uncle Imad al-Dawla, after which Rukn al-Dawla became the senior emir of the Buyids. In 974 Adud al-Dawla was sent by his father to save his cousin Izz al-Dawla from a rebellion. After defeating the rebel forces, he claimed the emirate of Iraq for himself, and forced his cousin to abdicate. His father, however, became angered by this decision and restored Izz al-Dawla. After the death of Adud al-Dawla's father, his cousin rebelled against him, but was defeated. Adud al-Dawla became afterwards the sole ruler of the Buyid dynasty and assumed the ancient Iranian title of Shahanshah ("King of Kings"). (Full article...)

    Fannā (Panāh) Khusraw (Persian: پناه خسرو), better known by his laqab of ʿAḍud al-Dawla (Arabic: عضد الدولة, lit.'pillar of the [Abbasid] dynasty'; 24 September 936 – 26 March 983) was an emir of the Buyid dynasty, ruling from 949 to 983, and at his height of power ruling an empire stretching from Makran to Yemen and the shores of the Mediterranean Sea. He is widely regarded as the greatest monarch of the dynasty, and by the end of his reign he was the most powerful ruler in the Middle East.

    The son of Rukn al-Dawla, Fanna Khusraw was given the title of Adud al-Dawla by the Abbasid caliph in 948 when he was made emir of Fars after the death of his childless uncle Imad al-Dawla, after which Rukn al-Dawla became the senior emir of the Buyids. In 974 Adud al-Dawla was sent by his father to save his cousin Izz al-Dawla from a rebellion. After defeating the rebel forces, he claimed the emirate of Iraq for himself, and forced his cousin to abdicate. His father, however, became angered by this decision and restored Izz al-Dawla. After the death of Adud al-Dawla's father, his cousin rebelled against him, but was defeated. Adud al-Dawla became afterwards the sole ruler of the Buyid dynasty and assumed the ancient Iranian title of Shahanshah ("King of Kings"). (Full article...)
  • Image 7 1979 Revolution: Black Friday is an adventure interactive drama video game developed and published by iNK Stories, with assistance from by N-Fusion Interactive. It was released for OS X, Windows, and Android and iOS devices in 2016, and for the Nintendo Switch, PlayStation 4, and Xbox One in 2018. The player controls Reza Shirazi, an aspiring photojournalist, who returns to Iran amidst the Iranian Revolution. As he becomes more involved in the events of the Revolution, Reza is forced to make decisions in order to survive. The player make timed responses throughout the game, determining the outcome of the plot. They are tasked with taking in-game photographs of their surroundings, and given historical background of the events. The game was in development for four years and was created to combine elements from video games and documentaries with an engaging narrative. Game director Navid Khonsari, who was a child in Iran at the time of the Revolution, developed the game with the intention of making the player understand the moral ambiguity of the situation. The development team conducted extensive research, interviewing historical scholars and Iranians who lived in Tehran during the Revolution and gathering numerous archival photos and historical speeches. Cast performances were recorded using motion capture and each character was developed with ambiguous attitudes and morals. (Full article...)

    1979 Revolution: Black Friday is an adventure interactive drama video game developed and published by iNK Stories, with assistance from by N-Fusion Interactive. It was released for OS X, Windows, and Android and iOS devices in 2016, and for the Nintendo Switch, PlayStation 4, and Xbox One in 2018. The player controls Reza Shirazi, an aspiring photojournalist, who returns to Iran amidst the Iranian Revolution. As he becomes more involved in the events of the Revolution, Reza is forced to make decisions in order to survive. The player make timed responses throughout the game, determining the outcome of the plot. They are tasked with taking in-game photographs of their surroundings, and given historical background of the events.

    The game was in development for four years and was created to combine elements from video games and documentaries with an engaging narrative. Game director Navid Khonsari, who was a child in Iran at the time of the Revolution, developed the game with the intention of making the player understand the moral ambiguity of the situation. The development team conducted extensive research, interviewing historical scholars and Iranians who lived in Tehran during the Revolution and gathering numerous archival photos and historical speeches. Cast performances were recorded using motion capture and each character was developed with ambiguous attitudes and morals. (Full article...)
  • Image 8 Hossein Ali Mirza Farman Farma by Mihr 'Ali. This painting, in Golestan Palace, was broken shortly after the Islamic Revolution Hossein Ali Mirza (Persian: حسین علی میرزا, romanized: Ḥosayn-ʿAlī Mīrzā; 26 August 1789 – 16 January 1835), a son of Fath-Ali Shah (r. 1797–1834), was the Governor of Fars and pretender to the throne of Qajar Iran. As governor, Ali Mirza restored Shah Cheragh, following its devastation in a 1795 earthquake. He opened the tombs of the Achaemenid kings to obtain gold, but found them empty. During his rule, the city of Shiraz was subjected to high taxation and low security. Ali Mirza gained independence from the government of Hajji Mohammad Hossein Isfahani, rented Bushehr ports to the British and stopped paying taxes after 1828, thus going 200,000 tomans in tax arrears to the crown. (Full article...)

    Hossein Ali Mirza (Persian: حسین علی میرزا, romanizedḤosayn-ʿAlī Mīrzā; 26 August 1789 – 16 January 1835), a son of Fath-Ali Shah (r.1797–1834), was the Governor of Fars and pretender to the throne of Qajar Iran.

    As governor, Ali Mirza restored Shah Cheragh, following its devastation in a 1795 earthquake. He opened the tombs of the Achaemenid kings to obtain gold, but found them empty. During his rule, the city of Shiraz was subjected to high taxation and low security. Ali Mirza gained independence from the government of Hajji Mohammad Hossein Isfahani, rented Bushehr ports to the British and stopped paying taxes after 1828, thus going 200,000 tomans in tax arrears to the crown. (Full article...)
  • Image 9 Dam of Siah Bishe Pumped Storage Power Plant The Siah Bisheh Pumped Storage Power Plant (Persian: نیروگاه تلمبه ذخیره‌ای سیاه‌بیشه), also spelled Siyāhbisheh and Siah Bishe, is located in the Alborz Mountain range near the village of Siah Bisheh and 48 km (30 mi) south of Chalus in Mazandaran Province, Iran. The power plant uses the pumped-storage hydroelectric method to generate electricity during periods of high energy demand, making it a peaking power plant, intended to fulfill peak electricity demand in Tehran 60 km (37 mi) to the south. When complete it will have an installed generating capacity of 1,040 megawatts (1,390,000 hp) and a pumping capacity of 940 megawatts (1,260,000 hp). Planning for the project began in the 1970s and construction began in 1985. It was delayed from 1992 until 2001 and the first generator went online in May 2013. The remaining generators were commissioned by 1 September 2015. The power plant is the first pumped-storage type in Iran and will also use the country's first concrete-face rock-fill dam – two of them. (Full article...)
    Dam of Siah Bishe Pumped Storage Power Plant

    The Siah Bisheh Pumped Storage Power Plant (Persian: نیروگاه تلمبه ذخیره‌ای سیاه‌بیشه), also spelled Siyāhbisheh and Siah Bishe, is located in the Alborz Mountain range near the village of Siah Bisheh and 48 km (30 mi) south of Chalus in Mazandaran Province, Iran. The power plant uses the pumped-storage hydroelectric method to generate electricity during periods of high energy demand, making it a peaking power plant, intended to fulfill peak electricity demand in Tehran 60 km (37 mi) to the south. When complete it will have an installed generating capacity of 1,040 megawatts (1,390,000 hp) and a pumping capacity of 940 megawatts (1,260,000 hp). Planning for the project began in the 1970s and construction began in 1985. It was delayed from 1992 until 2001 and the first generator went online in May 2013. The remaining generators were commissioned by 1 September 2015. The power plant is the first pumped-storage type in Iran and will also use the country's first concrete-face rock-fill dam – two of them. (Full article...)
  • Image 10 Anushtegin Gharchai (also spelled Anush-Tegin; Persian: نوشتکین غرچه, romanized: Anūštigin Ḡaṛčaʾī; died 1097) was a Turkic slave commander (ghulam) of the Seljuks and the governor of Khwarazm from approximately 1077 until 1097. He was the first member of his family to play a role in the history of Khwarazm, and the namesake for the dynasty that would rule the province in the 12th and early 13th centuries. (Full article...)
    Anushtegin Gharchai (also spelled Anush-Tegin; Persian: نوشتکین غرچه, romanizedAnūštigin Ḡaṛčaʾī; died 1097) was a Turkic slave commander (ghulam) of the Seljuks and the governor of Khwarazm from approximately 1077 until 1097. He was the first member of his family to play a role in the history of Khwarazm, and the namesake for the dynasty that would rule the province in the 12th and early 13th centuries. (Full article...)
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    A Paykan seen here in the countryside.
    A Paykan seen here in the countryside.
    Credit: Fabienkhan

    An old model of Peykan near Chaldoran, West Azerbaijan, Iran.

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  • Image 3 Detail of the Mantes Carpet, Safavid, Louvre A Persian carpet (Persian: فرش ایرانی, romanized: farš-e irâni [ˈfærʃe ʔiː.ɹɒː.níː]) or Persian rug (Persian: قالی ایرانی, romanized: qâli-ye irâni [ɢɒːˈliːje ʔiː.ɹɒː.níː]), also known as Iranian carpet, is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran (historically known as Persia), for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs. Persian rugs and carpets of various types were woven in parallel by nomadic tribes in village and town workshops, and by royal court manufactories alike. As such, they represent miscellaneous, simultaneous lines of tradition, and reflect the history of Iran, Persian culture, and its various peoples. The carpets woven in the Safavid court manufactories of Isfahan during the sixteenth century are famous for their elaborate colors and artistical design, and are treasured in museums and private collections all over the world today. Their patterns and designs have set an artistic tradition for court manufactories which was kept alive during the entire duration of the Persian Empire up to the last royal dynasty of Iran. (Full article...)
    Detail of the Mantes Carpet, Safavid, Louvre

    A Persian carpet (Persian: فرش ایرانی, romanizedfarš-e irâni [ˈfærʃe ʔiː.ɹɒː.níː]) or Persian rug (Persian: قالی ایرانی, romanizedqâli-ye irâni [ɢɒːˈliːje ʔiː.ɹɒː.níː]), also known as Iranian carpet, is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran (historically known as Persia), for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs.

    Persian rugs and carpets of various types were woven in parallel by nomadic tribes in village and town workshops, and by royal court manufactories alike. As such, they represent miscellaneous, simultaneous lines of tradition, and reflect the history of Iran, Persian culture, and its various peoples. The carpets woven in the Safavid court manufactories of Isfahan during the sixteenth century are famous for their elaborate colors and artistical design, and are treasured in museums and private collections all over the world today. Their patterns and designs have set an artistic tradition for court manufactories which was kept alive during the entire duration of the Persian Empire up to the last royal dynasty of Iran. (Full article...)
  • Image 4 Portrait taken in Paris, 1911 ʻAbdu'l-Bahá KCB (/əbˈdʊl bəˈhɑː/; Persian: عبد البهاء‎, 23 May 1844 – 28 November 1921), born ʻAbbás (Persian: عباس), was the eldest son of Baháʼu'lláh and served as head of the Baháʼí Faith from 1892 until 1921. ʻAbdu'l-Bahá was later canonized as the last of three "central figures" of the religion, along with Baháʼu'lláh and the Báb, and his writings and authenticated talks are regarded as sources of Baháʼí sacred literature. He was born in Tehran to an aristocratic family. At the age of eight his father was imprisoned during a government crackdown on the Bábí Faith and the family's possessions were looted, leaving them in virtual poverty. His father was exiled from their native Iran, and the family went to live in Baghdad, where they stayed for nine years. They were later called by the Ottoman state to Istanbul before going into another period of confinement in Edirne and finally the prison-city of ʻAkká (Acre). ʻAbdu'l-Bahá remained a political prisoner there until the Young Turk Revolution freed him in 1908 at the age of 64. He then made several journeys to the West to spread the Baháʼí message beyond its middle-eastern roots, but the onset of World War I left him largely confined to Haifa from 1914 to 1918. The war replaced the openly hostile Ottoman authorities with the British Mandate, who appointed him a Knight Commander of the Order of the British Empire for his help in averting famine following the war. (Full article...)

    ʻAbdu'l-Bahá KCB (/əbˈdʊl bəˈhɑː/; Persian: عبد البهاء‎, 23 May 1844 – 28 November 1921), born ʻAbbás (Persian: عباس), was the eldest son of Baháʼu'lláh and served as head of the Baháʼí Faith from 1892 until 1921. ʻAbdu'l-Bahá was later canonized as the last of three "central figures" of the religion, along with Baháʼu'lláh and the Báb, and his writings and authenticated talks are regarded as sources of Baháʼí sacred literature.

    He was born in Tehran to an aristocratic family. At the age of eight his father was imprisoned during a government crackdown on the Bábí Faith and the family's possessions were looted, leaving them in virtual poverty. His father was exiled from their native Iran, and the family went to live in Baghdad, where they stayed for nine years. They were later called by the Ottoman state to Istanbul before going into another period of confinement in Edirne and finally the prison-city of ʻAkká (Acre). ʻAbdu'l-Bahá remained a political prisoner there until the Young Turk Revolution freed him in 1908 at the age of 64. He then made several journeys to the West to spread the Baháʼí message beyond its middle-eastern roots, but the onset of World War I left him largely confined to Haifa from 1914 to 1918. The war replaced the openly hostile Ottoman authorities with the British Mandate, who appointed him a Knight Commander of the Order of the British Empire for his help in averting famine following the war. (Full article...)
  • Image 5 One Woman's War: Da (Mother) (Persian: دا، جنگ یک زن) is a memoir by Seyyedeh Zahra Hosseini detailing her experiences during the Iran–Iraq War as recorded by Seyedeh Azam Hosseini (no relation). The memoir was recorded through thousands of hours of conversation between Zahra Hosseini and Azam Hosseini, while parts of the book are autobiography by the narrator. The title, Da, means "mother" in Kurdish and Luri, and was meant to memorialize the role of Iranian mothers during the Iran–Iraq War. (Full article...)
    One Woman's War: Da (Mother) (Persian: دا، جنگ یک زن) is a memoir by Seyyedeh Zahra Hosseini detailing her experiences during the Iran–Iraq War as recorded by Seyedeh Azam Hosseini (no relation).

    The memoir was recorded through thousands of hours of conversation between Zahra Hosseini and Azam Hosseini, while parts of the book are autobiography by the narrator. The title, Da, means "mother" in Kurdish and Luri, and was meant to memorialize the role of Iranian mothers during the Iran–Iraq War. (Full article...)
  • Image 6 The puppet characters in their costumes Oobi: Dasdasi (Persian: دس دسی صداش می آد; English translation: Dasdasi: Clapping Hands) is an Iranian children's television series created for channel IRIB TV2. It is an adaptation of the American series Oobi. It was produced by Negar Estakhr and directed by Amir Soltan Ahmadi, two puppeteers who also starred on the program. The show featured performers Bahador Maleki, Banafsheh Samadi, and Isa Yousefipour. In an interview with the newspaper Jaam-e Jam, Estakhr said that the idea for the show came about after watching Oobi in English. She wanted to make a tailored version for an Iranian audience, so some of its characters and locations highlight elements of Iranian culture. The series follows a family of characters represented by bare-hand puppets. The stories have a heavy emphasis on comedy and typically follow the children of the family as they discover something new. (Full article...)

    Oobi: Dasdasi (Persian: دس دسی صداش می آد; English translation: Dasdasi: Clapping Hands) is an Iranian children's television series created for channel IRIB TV2. It is an adaptation of the American series Oobi. It was produced by Negar Estakhr and directed by Amir Soltan Ahmadi, two puppeteers who also starred on the program. The show featured performers Bahador Maleki, Banafsheh Samadi, and Isa Yousefipour.

    In an interview with the newspaper Jaam-e Jam, Estakhr said that the idea for the show came about after watching Oobi in English. She wanted to make a tailored version for an Iranian audience, so some of its characters and locations highlight elements of Iranian culture. The series follows a family of characters represented by bare-hand puppets. The stories have a heavy emphasis on comedy and typically follow the children of the family as they discover something new. (Full article...)
  • Image 7 Interior of the Cinema Rex building after the fire The Cinema Rex fire (Persian: آتش‌سوزی سینما رکس آبادان, lit. 'Rex Abadan cinema fire') happened on 19 August 1978 when the Cinema Rex in Abadan, Iran was set ablaze, killing between 377 and 470 people. The event started when four individuals, who were militants motivated by Islamic extremism, doused the building with airplane fuel before setting it alight. The attack was responsible in part for triggering the Iranian Revolution of 1979, which saw the overthrow of the ruling dynasty under the Iranian monarch and a related outbreak of mass violence. It was the deadliest terrorist attack in history until the 1990 massacre of Sri Lankan Police officers. The governing dynasty initially blamed "Islamic Marxists" for the fire and later reported that Islamic militants started the fire, while anti-Pahlavi protesters falsely blamed SAVAK, the Iranian secret police, for setting the fire. Even though Islamic extremists were responsible for the attack, the Islamic opposition benefited greatly from the disaster in terms of propaganda because of the general atmosphere of mistrust and wrath. Many Iranians accepted the disinformation, which fueled growing anti-Shah fervor. (Full article...)

    The Cinema Rex fire (Persian: آتش‌سوزی سینما رکس آبادان, lit.'Rex Abadan cinema fire') happened on 19 August 1978 when the Cinema Rex in Abadan, Iran was set ablaze, killing between 377 and 470 people. The event started when four individuals, who were militants motivated by Islamic extremism, doused the building with airplane fuel before setting it alight. The attack was responsible in part for triggering the Iranian Revolution of 1979, which saw the overthrow of the ruling dynasty under the Iranian monarch and a related outbreak of mass violence. It was the deadliest terrorist attack in history until the 1990 massacre of Sri Lankan Police officers.

    The governing dynasty initially blamed "Islamic Marxists" for the fire and later reported that Islamic militants started the fire, while anti-Pahlavi protesters falsely blamed SAVAK, the Iranian secret police, for setting the fire. Even though Islamic extremists were responsible for the attack, the Islamic opposition benefited greatly from the disaster in terms of propaganda because of the general atmosphere of mistrust and wrath. Many Iranians accepted the disinformation, which fueled growing anti-Shah fervor. (Full article...)
  • Image 8 Destruction in Bam An earthquake struck the Kerman province of southeastern Iran at 01:56 UTC (5:26 am Iran Standard Time) on December 26, 2003. The shock had a moment magnitude of 6.6 and a maximum Mercalli intensity of IX (Violent). The earthquake was particularly destructive in Bam, with the death toll amounting to at least 34,000 people and injuring up to 200,000. The effects of the earthquake were exacerbated by the use of mud brick as the standard construction medium; many of the area's structures did not comply with earthquake regulations set in 1989. Following the earthquake the U.S. offered direct humanitarian assistance to Iran and in return the state promised to comply with an agreement with the International Atomic Energy Agency which supports greater monitoring of its nuclear interests. In total a reported 44 countries sent in personnel to assist in relief operations and 60 countries offered assistance. (Full article...)

    An earthquake struck the Kerman province of southeastern Iran at 01:56 UTC (5:26 am Iran Standard Time) on December 26, 2003. The shock had a moment magnitude of 6.6 and a maximum Mercalli intensity of IX (Violent). The earthquake was particularly destructive in Bam, with the death toll amounting to at least 34,000 people and injuring up to 200,000. The effects of the earthquake were exacerbated by the use of mud brick as the standard construction medium; many of the area's structures did not comply with earthquake regulations set in 1989.

    Following the earthquake the U.S. offered direct humanitarian assistance to Iran and in return the state promised to comply with an agreement with the International Atomic Energy Agency which supports greater monitoring of its nuclear interests. In total a reported 44 countries sent in personnel to assist in relief operations and 60 countries offered assistance. (Full article...)
  • Image 9 Iran Lesbian, gay, bisexual, and transgender (LGBT) people in Iran face severe challenges not experienced by non-LGBT residents. Sexual activity between members of the same sex is illegal and can be punishable by death, and people can legally change their assigned sex only through sex reassignment surgery. Currently, Iran is the only country confirmed to execute gay people, though death penalty for homosexuality might be enacted in Afghanistan. LGBT rights in Iran have come in conflict with the penal code since the 1930s. In post-revolutionary Iran, any type of sexual activity outside a heterosexual marriage is forbidden. Same-sex sexual activities are punishable by imprisonment, corporal punishment, fines, or execution. Gay men have faced stricter enforcement actions under the law than lesbians. (Full article...)

    Lesbian, gay, bisexual, and transgender (LGBT) people in Iran face severe challenges not experienced by non-LGBT residents. Sexual activity between members of the same sex is illegal and can be punishable by death, and people can legally change their assigned sex only through sex reassignment surgery. Currently, Iran is the only country confirmed to execute gay people, though death penalty for homosexuality might be enacted in Afghanistan.

    LGBT rights in Iran have come in conflict with the penal code since the 1930s. In post-revolutionary Iran, any type of sexual activity outside a heterosexual marriage is forbidden. Same-sex sexual activities are punishable by imprisonment, corporal punishment, fines, or execution. Gay men have faced stricter enforcement actions under the law than lesbians. (Full article...)
  • Image 10 The Roman–Parthian War of 58–63 or the War of the Armenian Succession was fought between the Roman Empire and the Parthian Empire over control of Armenia, a vital buffer state between the two realms. Armenia had been a Roman client state since the days of Emperor Augustus, but in 52/53, the Parthians succeeded in installing their own candidate, Tiridates, on the Armenian throne. These events coincided with the accession of Nero to the imperial throne in Rome, and the young emperor decided to react vigorously. The war, which was the only major foreign campaign of his reign, began with rapid success for the Roman forces, led by the able general Gnaeus Domitius Corbulo. They overcame the forces loyal to Tiridates, installed their own candidate, Tigranes VI, on the Armenian throne, and left the country. The Romans were aided by the fact that the Parthian king Vologases was embroiled in the suppression of a series of revolts in his own country. As soon as these had been dealt with, however, the Parthians turned their attention to Armenia, and after a couple of years of inconclusive campaigning, inflicted a heavy defeat on the Romans in the Battle of Rhandeia. (Full article...)
    The Roman–Parthian War of 58–63 or the War of the Armenian Succession was fought between the Roman Empire and the Parthian Empire over control of Armenia, a vital buffer state between the two realms. Armenia had been a Roman client state since the days of Emperor Augustus, but in 52/53, the Parthians succeeded in installing their own candidate, Tiridates, on the Armenian throne.

    These events coincided with the accession of Nero to the imperial throne in Rome, and the young emperor decided to react vigorously. The war, which was the only major foreign campaign of his reign, began with rapid success for the Roman forces, led by the able general Gnaeus Domitius Corbulo. They overcame the forces loyal to Tiridates, installed their own candidate, Tigranes VI, on the Armenian throne, and left the country. The Romans were aided by the fact that the Parthian king Vologases was embroiled in the suppression of a series of revolts in his own country. As soon as these had been dealt with, however, the Parthians turned their attention to Armenia, and after a couple of years of inconclusive campaigning, inflicted a heavy defeat on the Romans in the Battle of Rhandeia. (Full article...)
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    Before the revolution I thought there are appropriate individuals who would do the job according to Islam, therefore I repeatedly said that clerics would go after their own job. Then I saw that most of them were inappropriate individuals and I found out that what I said was not true, so I came and clearly announced that I was wrong.

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