Shunga is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word shunga means picture of spring; "spring" is a common euphemism for sex. The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life. Following the aesthetics of everyday life, Edo period shunga sought to express the sexual mores of the chōnin in the widest variety of forms possible, and therefore depicted heterosexual and homosexual, old and young alike, as well as a wide range of fetishes. In the Edo period it was enjoyed by rich and poor, men and women, and despite being out of favour with the shogunate, carried very little stigma. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists. Classifying shunga as a kind of medievalpornography can be misleading in this respect. Shunga has its origins in China. It is thought that shunga were initially inspired by illustrations in Chinese medical manuals, a process which had its origins in the Muromachi era (1336 to 1573). Zhou Fang, the great T'ang dynasty Chinese erotic painter, is thought to also have been influential. He, like many erotic artists of his time and place, tended to exaggerate the size of the genital organs, a common shunga topos. While the literal meaning of the word, 'shunga,' is significant, it is in fact a contraction of, 'shunkyu-higa,' the Japanese name for Chinese sets of twelve scrolls depicting the twelve sexual acts that the crown prince had to carry out as an expression of yin–yang. (Full article...)
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World War II. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1945 one-thousand-dollar Japanese-issued banknote, depicting a bullock cart on the obverse and a man with water buffaloes in a stream on the reverse, is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000011-QINU`"'
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
Before the outbreak of World War I, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated half gulden, is part of the 1942 series.
Flowering Plum Tree (after Hiroshige), a copy of the ukiyo-e woodblock print Plum Park in Kameido by the Japanese artist Hiroshige. Completed in 1887, this painting is one of several Japanese-influenced works created by Vincent van Gogh after the opening up of Japan. In his copy, van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
Kishū kumano iwatake tori (Iwatake mushroom gathering at Kumano in Kishu), 1860, a ukiyo-e print created by Hiroshige II. It is part of the series "100 Famous Views of Japan".
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
Two geisha conversing near Kinkaku-ji in Kyoto, Japan. One of their most recognizable characteristics, traditional white make-up, is shown in detail. Its application is hard to perfect and is a time-consuming process. It is applied before dressing to avoid dirtying the kimono. The white make-up covers the face, neck, and chest, with two or three unwhitened areas. One of these areas is a "W" or "V" shape (usually the traditional "W" shape) on the nape to accentuate this traditionally erotic area.
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history. (Full article...)
Hyōgo Prefecture is a prefecture of Japan located in the Kinki region on Honshū island. The capital is Kobe. The prefecture's name was previously alternately spelled as Hiogo. Present-day Hyōgo Prefecture includes the former provinces of Harima, Tajima, Awaji, and parts of Tanba and Settsu. In 1180, near the end of the Heian period, Emperor Antoku, Taira no Kiyomori, and the Imperial court moved briefly to Fukuhara, in what is now the city of Kobe. There the capital remained for five months. Himeji Castle, a UNESCOWorld Heritage Site, is in the city of Himeji. The Akohan, home of the Forty-seven rōnin, is in Hyōgo Prefecture. Southern Hyōgo Prefecture was severely devastated by the magnitude 7.2 Great Hanshin earthquake of 1995, which destroyed major parts of Kobe and Awaji, as well as Takarazuka and neighboring Osaka Prefecture, killing nearly 5500 people. Hyōgo has coastlines on two seas: to the north, the Sea of Japan, to the south, the Inland Sea. The northern portion is sparsely populated, except for the city of Toyooka, and the central highlands are only populated by tiny villages. Most of Hyōgo's population lives on the southern coast, which is part of the Osaka–Kyoto–Kobe metropolitan area. Awaji Island is an island in the Inland Sea, lying between Honshū and Shikoku. Summertime weather throughout Hyōgo is hot and humid. During the winter, the north side tends to get lots of snow, while the south side only gets occasional flurries. Hyōgo borders on Osaka Prefecture, Kyoto Prefecture, Tottori Prefecture and Okayama Prefecture.
The following are images from various Japan-related articles on Wikipedia.
Image 1Traditional breakfast at a ryokan (from Culture of Japan)
Image 2A social hierarchy chart based on old academic theories. Such hierarchical diagrams were removed from Japanese textbooks after various studies in the 1990s revealed that peasants, craftsmen, and merchants were in fact equal and merely social categories. Successive shoguns held the highest or near-highest court ranks, higher than most court nobles. (from History of Japan)
Image 16Minamoto no Yoritomo was the founder of the Kamakura shogunate in 1192. This was the first military government in which the shogun with the samurai were the de facto rulers of Japan. (from History of Japan)
Image 26Mount Aso 4 pyroclastic flow and the spread of Aso 4 tephra (90,000 to 85,000 years ago). The pyroclastic flow reached almost the whole area of Kyushu, and volcanic ash was deposited of 15 cm in a wide area from Kyushu to southern Hokkaido. (from Geography of Japan)
Image 30Japanese experts inspect the scene of the alleged railway sabotage on South Manchurian Railway that led to the Mukden Incident and the Japanese occupation of Manchuria. (from History of Japan)
Image 31Japan (Iapam) and Korea, in the 1568 Portuguese map of the cartographer João Vaz Dourado (from History of Japan)
Image 76Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period, 1798 (from History of Japan)
Image 85The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 86Tokugawa Ieyasu was the founder and first shōgun of the Tokugawa shogunate. (from History of Japan)
Image 88A handscroll painting dated c. 1130, illustrating a scene from the "Bamboo River" chapter of The Tale of Genji (from History of Japan)
Image 89Relief map of the land and the seabed of Japan. It shows the surface and underwater terrain of the Japanese archipelago. (from Geography of Japan)
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