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  • 21 Aug, 2019

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Théâtre Des Bouffes-Parisiens

The Théâtre des Bouffes-Parisiens (French: [teɑtʁ de buf paʁizjɛ̃]) is a Parisian theatre founded in 1855 by the composer Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies. The theatre is still active with regular productions of stage plays.

History

Salle Lacaze

In February 1855, Offenbach successfully requested a license from the Parisian authorities for the performance of what he described as a "new and original" genre of musical theatre. He justified his proposed endeavour by saying that these works would have mass appeal and would provide opportunities for young French composers.

The company gave its first performances during the summer of 1855 at the Salle Lacaze. This theatre was unusually small with a capacity of only 300 spectators, but was located on the Carré Marigny, near the crowds attending the Exposition Universelle. The inaugural performance was on 5 July with Offenbach conducting four of his own works: a prologue called Entrez, messieurs, mesdames, a one-act pièce d'occasion written by Joseph Méry and "Jules Servières" (a pen name of Ludovic Halévy, who worked as a government official and needed to protect his reputation); Une nuit blanche, a one-act opéra-comique on a pastoral theme; Arlequin barbier, a pantomime utilizing themes from Rossini's Il barbiere di Siviglia arranged by "Alfred Lange" (Offenbach); and Les deux aveugles, a one-act bouffonerie musicale about two swindling "blind" Parisian beggars. The latter was almost cut, since the invited audience who attended the dress rehearsal failed to laugh, but Offenbach decided to retain it, and it was the hit of the opening night. This little piece soon acquired an international reputation (due to visitors from the Exposition), and Offenbach's admirers soon included Tolstoy and Thackeray. Further performances in the summer of 1855 were primarily of satirical sketches which only included a few musical numbers. The season, however, was so successful that Offenbach was able to resign his position as conductor of the Théâtre Français.

Salle Choiseul

The Salle Choiseul during a performance of Offenbach's Un mari à la porte (1859)

In October Offenbach submitted another petition to the authorities, this time to merge his company with the Théâtre des Jeunes Élèves de Monsieur Comte (Théâtre Comte). This company's theatre, which was not much larger than the Salle Lacaze, was demolished, and the larger Salle Choiseul with a capacity of about 900 was constructed. The new theatre was not only larger, but warmer, more luxurious and more comfortable than the Salle Lacaze. The orchestra was enlarged from sixteen players to thirty. Offenbach's new license permitted performances of one-act comedies, with or without music, but with fewer than five characters. It also specifically excluded sketches and required the performance of at least two works by composers other than Offenbach. The first performance of the merged company was on 29 December 1855 at the Salle Choiseul and included the premiere of Offenbach's Ba-ta-clan, a one-act chinoiserie musicale with a libretto by Halévy. From this time performances were primarily given at the Salle Choiseul during the winter theatre season. The company performed at the Salle Lacaze during the 1856, 1857 and 1859 summer seasons, however, in March 1861 legislation was enacted which prevented the company from using both theatres, and appearances at the Salle Lacaze were discontinued. In spite of the restrictions of the license, Offenbach began including longer, more substantial works which violated its terms. For instance, his two-act Orphée aux enfers with a cast of 16 received its first performance at the Salle Choiseul on 21 October 1858. Even after Offenbach resigned as the director in January 1862, the company continued at the Salle Choiseul, performing light operas by other composers as well as Offenbach.

Upon the departure of Offenbach, the new director tore down the existing hall to erect a larger one with a capacity of 1100 spectators.

Legacy

While the Théâtre des Bouffes-Parisiens is indelibly linked to Offenbach, it has also been the venue for a number of other important works. In addition to Offenbach's own operettas, the theatre has seen the premieres of musical works by Hervé, Emmanuel Chabrier and Claude Terrasse, and plays by writers such as Robert de Flers, Albert Willemetz, Sacha Guitry and Henri Bernstein.

From 1986 to 2007, the Théâtre des Bouffes-Parisiens was under the directorship of the actor Jean-Claude Brialy, after whose death in May 2007 his partner Bruno Finck took over. Subsequently Dominique Dumond, director of Polyfolies assumed the leadership in September 2013.

The theatre is part of the « Théâtres parisiens associés » and more recently the stage has witnessed straight theatre such as 88 fois l'infini with Niels Arestrup and François Berléand in 2021, La Note with Sophie Marceau and François Berléand in 2023, and A Streetcar Named Desire (in French) in 2024.

List of premieres

Théâtre des Bouffes-Parisiens (c. 1867)
Date Composer Work Ref
29 December 1855 Jacques Offenbach Ba-ta-clan
29 December 1855 Auguste Pilati Les Statues de l'Alcade
Léo Delibes Dieux vielles gardes
8 April 1857 Charles Lecocq Le docteur miracle
9 April 1857 Georges Bizet Le docteur miracle
21 October 1858 Jacques Offenbach Orphée aux enfers
8 June 1859 Léo Delibes L'omelette à la Follembuche
19 November 1859 Jacques Offenbach Geneviève de Brabant
10 February 1860 Jacques Offenbach Le carnaval des revues
17 November 1866 Hervé Les chevaliers de la table ronde
11 January 1867 Delphine Ugalde Halte au moulin
16 January 1869 Charles Lecocq Gandolfo
19 November 1871 Charles Lecocq Le barbier de Trouville
3 October 1877 Gaston Serpette La petite muette
28 November 1877 Emmanuel Chabrier L'étoile
13 November 1879 Edmond Audran Les noces d'Olivette
16 March 1880 Louis Varney Les mousquetaires au couvent
29 December 1880 Edmond Audran La mascotte
11 November 1882 Edmond Audran Gillette de Narbonne
19 April 1884 Joseph O'Kelly La Barbière improvisée
20 March 1886 Victor Roger Joséphine vendue par ses sœurs
8 October 1887 Raoul Pugno Le sosie
19 April 1888 Raoul Pugno Le valet de cœur
15 October 1888 Victor Roger Oscarine
1 February 1889 Raoul Pugno Le retour d'Ulysse
18 December 1889 André Messager Le mari de la reine
22 April 1892 Paul Vidal Eros
29 March 1893 Edmond Audran Madame Suzette
3 November 1893 Émile Pessard Mam'zelle Carabin
17 October 1894 Edmond Audran L'enlèvement de la Toledad
6 May 1895 Gaston Serpette La dot de Brigitte
28 February 1896 Charles Lecocq Ninette
16 November 1897 André Messager Les p'tites Michu
10 December 1898 André Messager Véronique
7 March 1901 Claude Terrasse Les travaux d'Hercule
12 November 1918 Henri Christiné Phi-Phi
10 November 1921 Henri Christiné Dédé
31 March 1923 Maurice Yvain Là-Haut
22 December 1923 Maurice Yvain La dame en décolleté
7 March 1924 Raoul Moretti En chemyse
17 September 1924 Raoul Moretti Troublez-moi
21 April 1925 Henri Christiné P.L.M.
3 December 1925 Raoul Moretti Trois jeunes filles … nues
22 December 1926 Henri Christiné J'aime
9 May 1929 Joseph Szulc Flossie
12 December 1930 Arthur Honegger Les aventures du roi Pausole
19 September 1934 Moisés Simons Toi c'est moi

List of directors

The public at the Bouffes-Parisiens (c. 1860)

The Théâtre des Bouffes-Parisiens was founded as a private entrepreneurship.

Date Director(s)
5 July 1855  Jacques Offenbach, Charles Comte
3 February 1862  Alphonse Varney
27 September 1864 Eugène Hanappier, Armand Lapoint
17 September 1866  François Varcollier
8 July 1867  Julien-Joseph-Henry Dupontavisse, Auguste Lefranc
August 1868  Jules Noriac, Charles Comte
1870  [Closed during the Franco-Prussian War]
16 April 1871  Jules Noriac, Charles Comte
1873  Charles Comte
1877  Louis Cantin
15 October 1885  Delphine Ugalde
1 September 1888  Charles (Carlo) A. Chizzola
1889  Oscar de Lagoanère
1890  Félix Larcher
1892  Charles Masset
1893  Eugène Larcher
1895  Georges Grisier
1897  Michel-Amable Coudert
1899  Coudert and Berny
1900  Vildreux and Pezzani
15 October 1901  André Lénéka
1902  Lagoanère and Lénéka
1904  Armand Bour
1905  Monza and Darcour
October 1906  Clot and Dublay
1907  Deval and Richemond
1909  Mme Cora-Laparcerie
1913  Gustave Quinson
1927  Gustave Quinson, Albert Willemetz
1929  Albert Willemetz
1958  Nicky Nancel (Madame Mondavi)
1986  Jean-Claude Brialy
2007  Bruno Finck