Thiruthevanartthogai
It is one among the eleven Divya Desams of Tirunangur Tirupatis and is closely associated with Thirumangai Alvar. The temple is open from 8 a.m. to 10 a.m. and 5 p.m. to 7 p.m and has four daily rituals at various times of the day. The Thirumangai Alvar Mangalasasana Utsavam celebrated annually during the Tamil month of Tai is the major festival of the temple during which the festival images of the eleven Tirunangur Tirupatis are brought on mount designed like Garuda, called Garuda Vahana, to Tirunangur. The temple follows the Tenkalai mode of worship.
Legend
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The legend of all the eleven temples of Tirunangur are closely associated with each other. As per legend, the Hindu god Shiva started dancing in fury at this place after the death of his consort Sati due to the episode of the daksha yajna. Each time his lock of hair touched the ground, there were eleven other forms of Shiva who appeared. The celestial deities were worried that if the dance continues, it would result in decimation of entire creations. They prayed to Vishnu for help, who appeared at this place. On seeing Vishnu, Shiva's anger was reduced and he requested Vishnu to appear in eleven forms like he did. On his request, Vishnu appeared in eleven different forms at Tirunangur. The eleven places where Vishnu appeared are believed to be where the eleven temples in Tirunangur are located. It is believed that the celestial deities had an assembly here at the temple. It is also believed that sage Vasishtha is believed to have worshipped Vishnu at this temple. As per another variant, Shiva requested Vishnu to appear in eleven different forms like him to control the eleven Shiva forms he created. The eleven rudras, called ekadas rudras and king of devas, Indra, are believed to have worshipped Vishnu at this temple.
Architecture
The temple faces west. It is located in Kiḻchalai, 6.5 km from Sirkali and 1 km away from Thiruvali. It is located close to Tirunangur, a small village, 10 km away from Sirkali en route to Thiruvenkadu. The temple has a three-tiered rajagopuram and all the shrines are enclosed in concentric rectangular walls. The presiding deity, Deivanayagan, in standing posture faces east. The images of the consort, Kadalmagal Nachiyar and the festival deities, Madhava Perumal and Madhava Nayagi are housed in the same shrine. The Garuda mandapa is located near the flagstaff axial to the sanctum. There is a precinct around the sanctum. The temple tank is located in front of the temple.
Religious significance
The temple is revered in Nalayira Divya Prabhandam, the 7th–9th century Vaishnava canon, by Peryalvar, Thirumalisai Alvar and Thirumangai Alvar. The temple is classified as a Divya Desam, one of the 108 Vishnu temples that are mentioned in the book. During the 18th and 19th centuries, the temple finds mention in several works like 108 Tirupathi Anthathi by Divya Kavi Pillai Perumal Aiyangar. It is believed that saint Thirumanagai Alvar visits the place every year to the festival to consecrate the eleven deities. As per local belief, the fresh winds which swirl the paddy fields before the day of the festival indicates a good harvest for the season. As per another legend, the sages Madangar, Domyar, Vyaghrapada and Udangar set up their hermitages in this place. During the period of Mahabharata, Takshaka, the mighty snake king who killed king Parikshit, ruled the place called Nagapuri, which eventually became Nangur.
Worship practices and festivals
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The temple is open from 8 a.m. to 10 a.m. and 5 p.m. to 7 p.m. The temple priests perform the puja (rituals) during festivals and on a daily basis. As at other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnava community, from the Brahmin class. The temple rituals are performed four times a day: Ushathkalam at 8 a.m., Kalasanthi at 10:00 a.m., Sayarakshai at 5:00 p.m. and Ardha Jamam at 7:00 p.m. Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Madhava Perumal and his consort Kadalmagal. During the worship, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.
During the new moon day of the Tamil month Tai, the festival deity of Thirumangai Alvar is brought to the temple from Thiruvali-Thirunagari. The Thirumangai Alvar Mangalasasana Utsavam is celebrated in the Tamil month of Thai (January–February). The highlight of the festival is Garudasevai, an event in which the festival images of the eleven Tirunangur Tirupatis are brought on mount designed like Garuda, called Garuda Vahana, to Tirunangur. The festive image of Thirumangai Alvar is also brought on a Hamsa Vahanam (palanquin) and his pasurams (verses) dedicated to each of these eleven temples are recited during the occasion. The festival images of Thirumangai Alvar and his consort Kumudavalli Naachiyar are taken in a palanquin to each of the eleven temples. The verses dedicated to each of the eleven temples are chanted in the respective shrines. This is one of the most important festivals in the region which draws thousands of visitors.
References
- ^ R. 2001, pp. 470-1
- ^ Anantharaman, Ambujam (2006). Temples of South India. East West Books (Madras). pp. 62–67. ISBN 978-81-88661-42-8.
- ^ Ayyar, P. V. Jagadisa (1982). South Indian Shrines: Illustrated. New Delhi: Asian Educational Services. p. 535. ISBN 9788120601512.
- ^ "திருநாங்கூர் நாராயண பெருமாள் கோவில்" (in Tamil). 21 October 2019. Retrieved 17 July 2021.
- ^ Ayyar 1982, p. 535
- ^ "Sri Deivanayagar temple". Dinamalar. 2014. Retrieved 31 May 2014.
- ^ "அருட்சேவை அருளும் திருநாங்கூர் கருடசேவை" (in Tamil). Daily Thanthi. 25 January 2020. Retrieved 17 July 2021.
- ^ S., Prabhu (12 July 2012). "Shrine dedicated to Arjuna". The Hindu. Retrieved 9 September 2013.
- ^ "Garuda Sevai" (PDF). Ramanuja.org. Retrieved 19 August 2011.
Sources
- R., Dr. Vijayalakshmy (2001). An introduction to religion and Philosophy - Tévarám and Tivviyappirapantam (1st ed.). Chennai: International Institute of Tamil Studies.