Ashura, a Japanese National Treasure sculpture from 734.
In the mid-6th century, the introduction of Buddhism from Baekje to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shakyamuni triad and the Guze Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishments with ornaments such as bracelets and jewels. Two prominent examples of sculptures of this period are the Shō Kannon at Yakushi-ji and the Yumechigai Kannon at Hōryū-ji. During the Nara period, from 710 to 794, the government established and supported workshops called zōbussho, the most prominent of which was located in the capital Nara at Tōdai-ji, which produced Buddhist statuary. Clay, lacquer and wood, in addition to bronze, were used. Stylistically, the sculptures were influenced by the high Tang style, showing fuller body modelling, more natural drapery and a greater sense of movement. Representative examples of Nara period sculpture include the Great Buddha and the Four Heavenly Kings at Tōdai-ji, or the Eight Legions at Kōfuku-ji. (Full article...)
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World War II. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1942 one-dollar Japanese-issued banknote, depicting breadfruit and coconut trees on the obverse, is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000011-QINU`"'
This large silk-embroidered wall hanging is part of the Khalili Collection of Japanese Art. The embroidery is worked in long and short silk stitch, with a composite imaginary view of Japan, including flowers, shrines, bridges, lakes and forests, with Mount Fuji rising in the distance. The private collection of decorative art, dating from Meiji-era Japan (1868–1912), was assembled by the British-Iranian scholar Nasser D. Khalili. It includes metalwork, enamels, ceramics, and lacquered objects, including works by artists of the imperial court that were exhibited at the Great Exhibitions of the late 19th century.
Before the outbreak of World War I, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated five cents, is part of the 1942 series.
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
Kishū kumano iwatake tori (Iwatake mushroom gathering at Kumano in Kishu), 1860, a ukiyo-e print created by Hiroshige II. It is part of the series "100 Famous Views of Japan".
Kumeko Urabe (Japanese: 浦辺粂子), born Kimura Kume ((木村 くめ)), (October 5, 1902 – October 26, 1989) was a Japanese movie actress, one of the first in the country. She worked on stage and in film and television. Urabe was born in a rural part of Shizuoka Prefecture. She lived in several homes while growing up, as she relocated with her father, a Buddhist priest, among the temples to which he was assigned. Urabe completed her education in Numazu, and left school in 1919 to join a theatre company, touring under various stage names as an actor and dancer.
Shimane Prefecture is a prefecture of Japan located in the Chūgoku region on Honshūisland. The capital is Matsue. It is the second least populous prefecture in Japan, next to the Tottori Prefecture that is a neighboring prefecture on the east side. The prefecture has an area elongated from east to west facing the Chūgoku Mountain Range on the south side and to the Sea of Japan on the north side. Most of the cities are near the shoreline of the Sea of Japan. There is Izumo Taisha in Izumo City, which is one of the oldest Shinto shrines in Japan. The Oki Islands in the Sea of Japan are also part of Shimane Prefecture, which also claims to have jurisdiction over the South Korea-controlled island of Liancourt Rocks (Takeshima). The history of Shimane starts with the Japanese mythology. Shinto god Ōkuninushi was believed to be living in Izumo, an old province in Shimane. The Izumo Shrine, which is in the city of Izumo, honors the god. At that time, the current Shimane prefecture was divided in to 3 parts, Iwami, Izumo, and Oki. That lasted until the abolition of the han system took place in 1871. During the Nara period, Kakinomoto no Hitomaro read a poem on Shimane's nature when he was sent as the Royal governor. Later on in the Kamakura period, Kamakura Shogunate forces emperorsGotoba and Emperor Godaigo to exile to Oki. Emperor Godaigo later gets away from Oki and begins rallying against the shogunate, which later succeeds. During the Muromachi period, Izumo and Oki were controlled by the Kyogoku clan.
The following are images from various Japan-related articles on Wikipedia.
Image 1A social hierarchy chart based on old academic theories. Such hierarchical diagrams were removed from Japanese textbooks after various studies in the 1990s revealed that peasants, craftsmen, and merchants were in fact equal and merely social categories. Successive shoguns held the highest or near-highest court ranks, higher than most court nobles. (from History of Japan)
Image 2Minamoto no Yoritomo was the founder of the Kamakura shogunate in 1192. This was the first military government in which the shogun with the samurai were the de facto rulers of Japan. (from History of Japan)
Image 31Japanese experts inspect the scene of the alleged railway sabotage on South Manchurian Railway that led to the Mukden Incident and the Japanese occupation of Manchuria. (from History of Japan)
Image 32Samurai of the Satsuma Domain during the Boshin War, 1860s (from History of Japan)
Image 35Mount Aso 4 pyroclastic flow and the spread of Aso 4 tephra (90,000 to 85,000 years ago). The pyroclastic flow reached almost the whole area of Kyushu, and volcanic ash was deposited of 15 cm in a wide area from Kyushu to southern Hokkaido. (from Geography of Japan)
Image 59Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period, 1798 (from History of Japan)
Image 79Relief map of the land and the seabed of Japan. It shows the surface and underwater terrain of the Japanese archipelago. (from Geography of Japan)
Image 83The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 84Map showing the territories of major daimyō families around 1570 CE (from History of Japan)
Image 85A map of Japan's major cities, main towns and selected smaller centers (from Geography of Japan)
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