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  • 21 Aug, 2019

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Portal:Biography

The Biography Portal

A biography, or simply bio, is a detailed description of a person's life. It involves more than just basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality.

Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography.

An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter. (Full article...)

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

  • Image 2 Akhmad Bassah (also Bassakh; [axˈmad baˈsax]; fl. 1923–30), best known by the pen name Joehana ([juˈhana]; Perfected Spelling: Yuhana), was an author from the Dutch East Indies who wrote in Sundanese. He worked for a time on the railroad before becoming an author by 1923, and had a strong interest in social welfare; this interest influenced his novels. He was also a productive translator, dramatist, and reporter, and operated a company which offered writing services. Sources disagree when Joehana died; some offer 1930, while others give 1942–45. During the seven years in which he was active, Joehana wrote a number of stories and articles, as well as several novels. The years of publication are generally unclear, as reprints included neither the year of first publication nor the printing number. Stylistically, Joehana has been classified as a realist owing to his use of the names of actual locations and products in his works, as well as the predominantly vernacular Sundanese in his novels. However, influences from traditional theatrical forms such as wayang and literature such as pantun are evident. Joehana's works cover a wide range of themes, although in general they are oriented towards social criticism and promote modernization. (Full article...)
    Akhmad Bassah (also Bassakh; [axˈmad baˈsax]; fl. 1923–30), best known by the pen name Joehana ([juˈhana]; Perfected Spelling: Yuhana), was an author from the Dutch East Indies who wrote in Sundanese. He worked for a time on the railroad before becoming an author by 1923, and had a strong interest in social welfare; this interest influenced his novels. He was also a productive translator, dramatist, and reporter, and operated a company which offered writing services. Sources disagree when Joehana died; some offer 1930, while others give 1942–45.

    During the seven years in which he was active, Joehana wrote a number of stories and articles, as well as several novels. The years of publication are generally unclear, as reprints included neither the year of first publication nor the printing number. Stylistically, Joehana has been classified as a realist owing to his use of the names of actual locations and products in his works, as well as the predominantly vernacular Sundanese in his novels. However, influences from traditional theatrical forms such as wayang and literature such as pantun are evident. Joehana's works cover a wide range of themes, although in general they are oriented towards social criticism and promote modernization. (Full article...)
  • Image 3 The Mercury Seven in 1960 Back: Alan Shepard, Gus Grissom, Gordon Cooper; Front: Wally Schirra, Deke Slayton, John Glenn, Scott Carpenter The Mercury Seven were the group of seven astronauts selected to fly spacecraft for Project Mercury. They are also referred to as the Original Seven and Astronaut Group 1. Their names were publicly announced by NASA on April 9, 1959: Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. The Mercury Seven created a new profession in the United States, and established the image of the American astronaut for decades to come. All of the Mercury Seven eventually flew in space. They piloted the six spaceflights of the Mercury program that had an astronaut on board from May 1961 to May 1963, and members of the group flew on all of the NASA human spaceflight programs of the 20th century – Mercury, Gemini, Apollo, and the Space Shuttle. (Full article...)

    The Mercury Seven were the group of seven astronauts selected to fly spacecraft for Project Mercury. They are also referred to as the Original Seven and Astronaut Group 1. Their names were publicly announced by NASA on April 9, 1959: Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. The Mercury Seven created a new profession in the United States, and established the image of the American astronaut for decades to come.

    All of the Mercury Seven eventually flew in space. They piloted the six spaceflights of the Mercury program that had an astronaut on board from May 1961 to May 1963, and members of the group flew on all of the NASA human spaceflight programs of the 20th century – Mercury, Gemini, Apollo, and the Space Shuttle. (Full article...)
  • Image 4 (L–R): Florence Ballard, Mary Wilson, and Diana Ross performing "My World Is Empty Without You" on The Ed Sullivan Show in 1966 The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass public housing project in Detroit. They formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson continued as a trio. (Full article...)

    The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.

    Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass public housing project in Detroit. They formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson continued as a trio. (Full article...)
  • Image 5 Rundkvist on a dig in Aska [sv], 2020 Martin Rundkvist (born 4 April 1972) is a Swedish archaeologist and associate professor at the University of Łódź in Poland. His research focuses on the Bronze, Iron, and Middle Ages of Scandinavia, including significant excavations in the province of Östergötland. Rundkvist has studied and excavated various sites in Sweden, particularly in the country's south. In 2003 and 2004, he published a three-volume work which doubled as his PhD dissertation, cataloguing the finds from Barshalder [sv; de], the largest prehistoric cemetery on the Swedish island of Gotland. A subsequent book identified nine possible regional power centres in Östergötland, and attempted to determine where the "Beowulfian mead halls" of the day once stood. Excavating years later at one of these sites, Aska [sv], Rundkvist uncovered the foundations of a large mead hall, and 30 ornate gold figures that might have represented gods or royals. In other works, Rundkvist has excavated a Viking boat grave, and analysed both the placement of deposited artefacts in the landscape and the lifestyles of the Scandinavian élite during the Middle Ages. (Full article...)

    Martin Rundkvist (born 4 April 1972) is a Swedish archaeologist and associate professor at the University of Łódź in Poland. His research focuses on the Bronze, Iron, and Middle Ages of Scandinavia, including significant excavations in the province of Östergötland.

    Rundkvist has studied and excavated various sites in Sweden, particularly in the country's south. In 2003 and 2004, he published a three-volume work which doubled as his PhD dissertation, cataloguing the finds from Barshalder [sv; de], the largest prehistoric cemetery on the Swedish island of Gotland. A subsequent book identified nine possible regional power centres in Östergötland, and attempted to determine where the "Beowulfian mead halls" of the day once stood. Excavating years later at one of these sites, Aska [sv], Rundkvist uncovered the foundations of a large mead hall, and 30 ornate gold figures that might have represented gods or royals. In other works, Rundkvist has excavated a Viking boat grave, and analysed both the placement of deposited artefacts in the landscape and the lifestyles of the Scandinavian élite during the Middle Ages. (Full article...)
  • Image 6 Portrait by Peter Lely James II and VII (14 October 1633 O.S. – 16 September 1701) was King of England and Ireland as James II and King of Scotland as James VII from the death of his elder brother, Charles II, on 6 February 1685, until he was deposed in the 1688 Glorious Revolution. The last Catholic monarch of England, Scotland, and Ireland, his reign is now remembered primarily for conflicts over religion. However, it also involved struggles over the principles of absolutism and divine right of kings, with his deposition ending a century of political and civil strife by confirming the primacy of the English Parliament over the Crown. James succeeded to the throne with widespread support, largely due to a reluctance to undermine the principle of heredity succession, and the belief that a Catholic monarchy was purely temporary. However, tolerance of his personal views did not extend to Catholicism in general, and both the English and Scottish parliaments refused to pass measures viewed as undermining the primacy of the Protestant religion. His attempts to impose them by decree met with opposition, and as a result, it has been argued it was a political principle, rather than a religious one, that ultimately led to his removal. (Full article...)

    James II and VII (14 October 1633 O.S. – 16 September 1701) was King of England and Ireland as James II and King of Scotland as James VII from the death of his elder brother, Charles II, on 6 February 1685, until he was deposed in the 1688 Glorious Revolution. The last Catholic monarch of England, Scotland, and Ireland, his reign is now remembered primarily for conflicts over religion. However, it also involved struggles over the principles of absolutism and divine right of kings, with his deposition ending a century of political and civil strife by confirming the primacy of the English Parliament over the Crown.

    James succeeded to the throne with widespread support, largely due to a reluctance to undermine the principle of heredity succession, and the belief that a Catholic monarchy was purely temporary. However, tolerance of his personal views did not extend to Catholicism in general, and both the English and Scottish parliaments refused to pass measures viewed as undermining the primacy of the Protestant religion. His attempts to impose them by decree met with opposition, and as a result, it has been argued it was a political principle, rather than a religious one, that ultimately led to his removal. (Full article...)
  • Image 7 Captain Harry Cobby in 1919 Air Commodore Arthur Henry Cobby, CBE, DSO, DFC & Two Bars, GM (26 August 1894 – 11 November 1955) was an Australian military aviator. He was the leading fighter ace of the Australian Flying Corps (AFC) during World War I, despite seeing active service for less than a year. Born and educated in Melbourne, Cobby was a bank clerk when war broke out, and was prevented by his employer from enlisting in the Australian Imperial Force until 1916. After completing flight training in England, he served on the Western Front with No. 4 Squadron AFC, operating Sopwith Camels. He was credited with 29 aerial victories, and his achievements were recognised with the Distinguished Service Order, the Distinguished Flying Cross and two bars, and a mention in despatches. (Full article...)

    Air Commodore Arthur Henry Cobby, CBE, DSO, DFC & Two Bars, GM (26 August 1894 – 11 November 1955) was an Australian military aviator. He was the leading fighter ace of the Australian Flying Corps (AFC) during World War I, despite seeing active service for less than a year.

    Born and educated in Melbourne, Cobby was a bank clerk when war broke out, and was prevented by his employer from enlisting in the Australian Imperial Force until 1916. After completing flight training in England, he served on the Western Front with No. 4 Squadron AFC, operating Sopwith Camels. He was credited with 29 aerial victories, and his achievements were recognised with the Distinguished Service Order, the Distinguished Flying Cross and two bars, and a mention in despatches. (Full article...)
  • Image 8 Fictional 17th-century drawing Causantín mac Áeda (Modern Gaelic: Còiseam mac Aoidh, anglicised Constantine II; born no later than 879; died 952) was an early King of Scotland, known then by the Gaelic name Alba. The Kingdom of Alba, a name which first appears in Constantine's lifetime, was situated in what is now Northern Scotland. The core of the kingdom was formed by the lands around the River Tay. Its southern limit was the River Forth, northwards it extended towards the Moray Firth and perhaps to Caithness, while its western limits are uncertain. Constantine's grandfather Kenneth I (Cináed mac Ailpín, died 858) was the first of the family recorded as a king, but as king of the Picts. This change of title, from king of the Picts to king of Alba, is part of a broader transformation of Pictland and the origins of the Kingdom of Alba are traced to Constantine's lifetime. (Full article...)

    Causantín mac Áeda (Modern Gaelic: Còiseam mac Aoidh, anglicised Constantine II; born no later than 879; died 952) was an early King of Scotland, known then by the Gaelic name Alba. The Kingdom of Alba, a name which first appears in Constantine's lifetime, was situated in what is now Northern Scotland.

    The core of the kingdom was formed by the lands around the River Tay. Its southern limit was the River Forth, northwards it extended towards the Moray Firth and perhaps to Caithness, while its western limits are uncertain. Constantine's grandfather Kenneth I (Cináed mac Ailpín, died 858) was the first of the family recorded as a king, but as king of the Picts. This change of title, from king of the Picts to king of Alba, is part of a broader transformation of Pictland and the origins of the Kingdom of Alba are traced to Constantine's lifetime. (Full article...)
  • Image 9 Gill, c. 1910s DeLancey Walker Gill (July 1, 1859 – August 31, 1940) was an American drafter, landscape painter, and photographer. Gill first became noted for his landscape illustrations and watercolors, featuring subjects such as Native American pueblos in addition to his main focus on Washington, D.C. Characterized as detailed and meticulous in his landscapes, Gill captured views of working-class and rural areas of Washington not commonly depicted in art of the period. Despite his other work, he continued to paint throughout his life, and taught art classes at the Corcoran School. Gill was employed as an illustrator and draftsman for the United States Treasury, followed by similar work for the United States Geological Survey. He was director of the Division of Illustration at the Smithsonian Institution's Bureau of American Ethnology (BAE) from 1889 to 1932. Following the resignation of two of the Smithsonian's photographers in 1898, Gill, while not trained in photography, took over these duties at the BAE. In this role, he produced thousands of photographs of Native American delegations for the Bureau, including notable figures such as Geronimo and Chief Joseph. Gill's photographic work was showcased in Smithsonian publications, the Panama–Pacific Exposition and on a 1923 postage stamp. His portraiture has been praised for its pictorialist qualities and strength of design. He frequently gave clothing (at times outdated or misattributed) to Native American delegates. While Gill's costuming of delegates was considered salvage ethnography in the period, it has been criticized in modern studies for reinforcing contemporary stereotypes and misrepresenting his subjects and their cultures. (Full article...)

    DeLancey Walker Gill (July 1, 1859 – August 31, 1940) was an American drafter, landscape painter, and photographer. Gill first became noted for his landscape illustrations and watercolors, featuring subjects such as Native American pueblos in addition to his main focus on Washington, D.C. Characterized as detailed and meticulous in his landscapes, Gill captured views of working-class and rural areas of Washington not commonly depicted in art of the period. Despite his other work, he continued to paint throughout his life, and taught art classes at the Corcoran School.

    Gill was employed as an illustrator and draftsman for the United States Treasury, followed by similar work for the United States Geological Survey. He was director of the Division of Illustration at the Smithsonian Institution's Bureau of American Ethnology (BAE) from 1889 to 1932. Following the resignation of two of the Smithsonian's photographers in 1898, Gill, while not trained in photography, took over these duties at the BAE. In this role, he produced thousands of photographs of Native American delegations for the Bureau, including notable figures such as Geronimo and Chief Joseph. Gill's photographic work was showcased in Smithsonian publications, the Panama–Pacific Exposition and on a 1923 postage stamp. His portraiture has been praised for its pictorialist qualities and strength of design. He frequently gave clothing (at times outdated or misattributed) to Native American delegates. While Gill's costuming of delegates was considered salvage ethnography in the period, it has been criticized in modern studies for reinforcing contemporary stereotypes and misrepresenting his subjects and their cultures. (Full article...)
  • Image 10 Terry-Thomas in Where Were You When the Lights Went Out? (1968) Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 1⁄3-inch (8.5 mm) gap between his two upper front teeth. Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. On his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959). (Full article...)
    Terry-Thomas in Where Were You When the Lights Went Out? (1968)


    Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 1911 – 8 January 1990) was an English character actor and comedian who became internationally known through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a 13-inch (8.5 mm) gap between his two upper front teeth.

    Born in London, Terry-Thomas made his film debut, uncredited, in The Private Life of Henry VIII (1933). He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. On his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View? (1949). He appeared on various BBC Radio shows, and made a successful transition into British films. His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959). (Full article...)
  • Image 11 Portrait by Michael Dahl, 1705 Anne (6 February 1665 – 1 August 1714) was Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of Scotland and England, until her death in 1714. Anne was born during the reign of her uncle King Charles II. Her father was Charles's younger brother and heir presumptive, James, whose suspected Roman Catholicism was unpopular in England. On Charles's instructions, Anne and her elder sister Mary were raised as Anglicans. Mary married their Dutch Protestant cousin, William III of Orange, in 1677, and Anne married the Lutheran Prince George of Denmark in 1683. On Charles's death in 1685, James succeeded to the throne, but just three years later he was deposed in the Glorious Revolution of 1688. Mary and William became joint monarchs. Although the sisters had been close, disagreements over Anne's finances, status, and choice of acquaintances arose shortly after Mary's accession and they became estranged. William and Mary had no children. After Mary's death in 1694, William reigned alone until his own death in 1702, when Anne succeeded him. (Full article...)

    Anne (6 February 1665 – 1 August 1714) was Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of Scotland and England, until her death in 1714.

    Anne was born during the reign of her uncle King Charles II. Her father was Charles's younger brother and heir presumptive, James, whose suspected Roman Catholicism was unpopular in England. On Charles's instructions, Anne and her elder sister Mary were raised as Anglicans. Mary married their Dutch Protestant cousin, William III of Orange, in 1677, and Anne married the Lutheran Prince George of Denmark in 1683. On Charles's death in 1685, James succeeded to the throne, but just three years later he was deposed in the Glorious Revolution of 1688. Mary and William became joint monarchs. Although the sisters had been close, disagreements over Anne's finances, status, and choice of acquaintances arose shortly after Mary's accession and they became estranged. William and Mary had no children. After Mary's death in 1694, William reigned alone until his own death in 1702, when Anne succeeded him. (Full article...)
  • Image 12 Statue of Hö'elün located near the equestrian statue of her son at Tsonjin Boldog, Mongolia Hö'elün (Mongolian: ᠥᠭᠡᠯᠦᠨ ᠦᠵᠢᠨ, Ö’elün Üjin, lit. 'Lady Ö’elün'; fl. 1162–1210) was a noblewoman of the Mongol Empire and the mother of Temüjin, better known as Genghis Khan. She played a major role in his rise to power, as described in the Secret History of the Mongols. Born into the Olkhonud clan of the Onggirat tribe, Hö'elün was originally married to Chiledu, a Merkit aristocrat; she was captured shortly after her wedding by Yesügei, an important member of the Mongols, who abducted her to be his primary wife. She and Yesügei had four sons and one daughter: Temüjin, Qasar, Hachiun, Temüge, and Temülen. After Yesügei was fatally poisoned and the Mongols abandoned her family, Hö'elün shepherded all her children through poverty to adulthood—her resilience and organisational skills have been remarked upon by historians. She continued to play an important role after Temüjin's marriage to Börte—together, the two women managed his camp and provided him with advice. (Full article...)

    Hö'elün (Mongolian: ᠥᠭᠡᠯᠦᠨ ᠦᠵᠢᠨ, Ö’elün Üjin, lit.'Lady Ö’elün'; fl. 1162–1210) was a noblewoman of the Mongol Empire and the mother of Temüjin, better known as Genghis Khan. She played a major role in his rise to power, as described in the Secret History of the Mongols.

    Born into the Olkhonud clan of the Onggirat tribe, Hö'elün was originally married to Chiledu, a Merkit aristocrat; she was captured shortly after her wedding by Yesügei, an important member of the Mongols, who abducted her to be his primary wife. She and Yesügei had four sons and one daughter: Temüjin, Qasar, Hachiun, Temüge, and Temülen. After Yesügei was fatally poisoned and the Mongols abandoned her family, Hö'elün shepherded all her children through poverty to adulthood—her resilience and organisational skills have been remarked upon by historians. She continued to play an important role after Temüjin's marriage to Börte—together, the two women managed his camp and provided him with advice. (Full article...)
  • Image 13 Penny of Beorhtwulf Legend: ber(ht)vlf rex Beorhtwulf (Old English: [ˈbeorˠxtwuɫf], meaning "bright wolf"; also spelled Berhtwulf; died 852) was King of Mercia, a kingdom of Anglo-Saxon England, from 839 or 840 to 852. His ancestry is unknown, though he may have been connected to Beornwulf, who ruled Mercia in the 820s. Almost no coins were issued by Beorhtwulf's predecessor, Wiglaf, but a Mercian coinage was restarted by Beorhtwulf early in his reign, initially with strong similarities to the coins of Æthelwulf of Wessex, and later with independent designs. The Vikings attacked within a year or two of Beorhtwulf's accession: the province of Lindsey was raided in 841, and London, a key centre of Mercian commerce, was attacked the following year. Another Viking assault on London in 851 "put Beorhtwulf to flight", according to the Anglo-Saxon Chronicle; the Vikings were subsequently defeated by Æthelwulf. This raid may have had a significant economic impact on Mercia, as London coinage is much reduced after 851. Berkshire appears to have passed from Mercian to West Saxon control during Beorhtwulf's reign. The Welsh are recorded to have rebelled against Beorhtwulf's successor, Burgred, shortly after Beorhtwulf's death, suggesting that Beorhtwulf had been their overlord. Charters from Beorthwulf's reign show a strained relationship with the church, as Beorhtwulf seized land and subsequently returned it. (Full article...)

    Beorhtwulf (Old English: [ˈbeorˠxtwuɫf], meaning "bright wolf"; also spelled Berhtwulf; died 852) was King of Mercia, a kingdom of Anglo-Saxon England, from 839 or 840 to 852. His ancestry is unknown, though he may have been connected to Beornwulf, who ruled Mercia in the 820s. Almost no coins were issued by Beorhtwulf's predecessor, Wiglaf, but a Mercian coinage was restarted by Beorhtwulf early in his reign, initially with strong similarities to the coins of Æthelwulf of Wessex, and later with independent designs. The Vikings attacked within a year or two of Beorhtwulf's accession: the province of Lindsey was raided in 841, and London, a key centre of Mercian commerce, was attacked the following year. Another Viking assault on London in 851 "put Beorhtwulf to flight", according to the Anglo-Saxon Chronicle; the Vikings were subsequently defeated by Æthelwulf. This raid may have had a significant economic impact on Mercia, as London coinage is much reduced after 851.

    Berkshire appears to have passed from Mercian to West Saxon control during Beorhtwulf's reign. The Welsh are recorded to have rebelled against Beorhtwulf's successor, Burgred, shortly after Beorhtwulf's death, suggesting that Beorhtwulf had been their overlord. Charters from Beorthwulf's reign show a strained relationship with the church, as Beorhtwulf seized land and subsequently returned it. (Full article...)
  • Image 14 Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle. As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic. During 1920–21 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent. (Full article...)
    Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle.

    As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic. During 1920–21 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent. (Full article...)
  • Image 15 Groves in 1948 Leslie Richard Groves Jr. (17 August 1896 – 13 July 1970) was a United States Army Corps of Engineers officer who oversaw the construction of the Pentagon and directed the Manhattan Project, a top secret research project that developed the atomic bomb during World War II. The son of a U.S. Army chaplain, Groves lived at various Army posts during his childhood. In 1918, he graduated fourth in his class at the United States Military Academy at West Point and was commissioned into the United States Army Corps of Engineers. In 1929, he went to Nicaragua as part of an expedition to conduct a survey for the Inter-Oceanic Nicaragua Canal. Following the 1931 Nicaraguan earthquake, Groves took over Managua's water supply system, for which he was awarded the Nicaraguan Presidential Medal of Merit. He attended the Command and General Staff School at Fort Leavenworth, Kansas, in 1935 and 1936, and the Army War College in 1938 and 1939, after which he was posted to the War Department General Staff. Groves developed "a reputation as a doer, a driver, and a stickler for duty". In 1940 he became special assistant for construction to the Quartermaster General, tasked with inspecting construction sites and checking on their progress. In August 1941, he was appointed to create the gigantic office complex for the War Department's 40,000 staff that would ultimately become the Pentagon. (Full article...)

    Leslie Richard Groves Jr. (17 August 1896 – 13 July 1970) was a United States Army Corps of Engineers officer who oversaw the construction of the Pentagon and directed the Manhattan Project, a top secret research project that developed the atomic bomb during World War II.

    The son of a U.S. Army chaplain, Groves lived at various Army posts during his childhood. In 1918, he graduated fourth in his class at the United States Military Academy at West Point and was commissioned into the United States Army Corps of Engineers. In 1929, he went to Nicaragua as part of an expedition to conduct a survey for the Inter-Oceanic Nicaragua Canal. Following the 1931 Nicaraguan earthquake, Groves took over Managua's water supply system, for which he was awarded the Nicaraguan Presidential Medal of Merit. He attended the Command and General Staff School at Fort Leavenworth, Kansas, in 1935 and 1936, and the Army War College in 1938 and 1939, after which he was posted to the War Department General Staff. Groves developed "a reputation as a doer, a driver, and a stickler for duty". In 1940 he became special assistant for construction to the Quartermaster General, tasked with inspecting construction sites and checking on their progress. In August 1941, he was appointed to create the gigantic office complex for the War Department's 40,000 staff that would ultimately become the Pentagon. (Full article...)
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